Poesies experimentales - Zone numerique (1953-2007) / Donguy, Jacques ; Accame F ; Acconci V ; Achleitner F ; Acker K ; Adler J ; Aguiar F ; Albert-Birot A ; Altmann R ; Amirkhanian C ; Anderson L ; Andre C ; Apollinaire G ; Arakawa ; Arias-Misson A ; Arman ; Armleder J ; Arp H ; Artaud A ; Artmann HC ; Aubertin B ; Balestrini N ; Ball H ; Balla G ; Barry R ; Barthes R ; Beach M ; Beckett S ; Belloli C ; Beltrametti F ; Ben ; Benjamin W ; Bense M ; Berge C ; Berlewi H ; Berio L ; Bertini G ; Bertrand JP ; Blaine J ; Boccioni U ; Boisnard P ; Bolliger H ; Bonito-Oliva A ; Bory JF ; Brecht G ; Bremer C ; Breton A ; Broodthaers M ; Brossa J ; Bruscky P ; Burda V ; Butor M ; Burroughs WS ; Cage J ; DeCampos A ; DeCampos H ; Cangiullo F ; Carrega U ; Caruso L ; deCharmoy C ; Chopin H ; Clark L ; Claus CF ; Cobbing B ; Corfou M ; Corner P ; Corso G ; cummings ee ; Damen H ; Debord G ; Degottex J ; Deisler G ; Dencker KP ; Depero F ; Derrida J ; DeVree P ; Donguy J ; Dotremont C ; Dreyfus C ; Duchamp M ; Dufrene F ; Duke JH ; Dupuy J ; Dutton P ; Ehrenberg I ; Fahlstrom O ; Fencott PC ; Ferlinghetti L ; Ferrando B ; Ferrari V ; Filliou R ; Finlay IH ; Flynt H ; Fontana G ; Furnival J ; Gappmayr H ; Garnier I ; Garnier P ; Gerz J ; Gette PA ; Ginsberg A ; Giorno J ; Goeritz M ; Goll Y ; Gomringer E ; Gosewitz L ; Grunewald JL ; Gysin B ; Hains R ; Hanson S ; Hatherly A ; Hausmann R ; Havel V ; Heidsieck B ; Heissenbuttel H ; Hendricks B ; Hennigs E ; Hidalgo J ; Higgins D ; Hirsal J ; Hoch H ; Hodell A ; Hollo A ; Houedard DS ; Hubaut J ; Huelsenbeck R ; Huidobro V ; Iliazd ; Isgro E ; Isou I ; Ito M ; Janco M ; Jandl E ; Janicot F ; Johnson BE ; Jorn A ; Joyce J ; Kac E ; Kaprow A ; Kassak L ; Khlebnikov V ; Kitasono K ; Knowles A ; Kolar J ; Kostelanetz R ; Kosuth J ; Kriwet F ; Kruchenykh A ; LaRocca K ; Lax R ; Leger F ; Lebel JJ ; Landi L ; Lemaitre M ; Leveque JJ ; Lewis WP ; Lijn L ; Lissitzky E ; Lista G ; Lora-Totino A ; Maciunas G ; MacLow J ; Mayakovsky V ; Malevich K ; Mallarme S ; Ray M ; Marchetti W ; Marcucci L ; Marinetti FT ; Martel R ; Martini SM ; Mathews H ; Mayer H ; McCaffery S ; McClure M ; McLuhan M ; Melo E Castro EM ; Miccini E ; Minarelli E ; Mohr M ; Mon F ; Morgan E ; Munari B ; Nagy P ; Nannucci M ; Nichol bp ; Niccolai G ; Novak L ; Oberto A ; Oberto M ; Ono Y ; Ori L ; Ox J ; Padin C ; Paik NJ ; Paolozzi E ; Papp T ; Parmiggiani C ; Patterson B ; Pelieu C ; Perec G ; Perfetti M ; Pey S ; Phillips T ; Picabia F ; Pignatari D ; Plaza J ; Polkinhorn H ; Pomerand G ; Porter B ; Queneau R ; Rauschenberg R ; Reichardt J ; Restany P ; Roth D ; Rotella M ; Rothenberg J ; Ruhm G ; Russolo L ; Sa A ; Sabatier R ; Sarenco ; Saussure F ; Schneemann C ; Schraenen G ; Schulz T ; Schwarz D ; Schwitters K ; Niikuni S ; Seuphor M ; Severini G ; Sharits P ; Sharkey JJ ; Shimizu T ; Sitta C ; Smith P ; Soffici A ; Sohm H ; Solt ME ; Soupault P ; Spacagna J ; Spatola A ; Spoerri D ; Stein G ; Takahashi S ; Themerson S ; Thomas D ; Tipping R ; Todorovic M ; Tola L ; Tschichold J ; Tudor D ; Tzara T ; Ulrichs T ; Vaccari F ; Valoch J ; VanDoesburg T ; Vangelisti P ; VanOstaijen P ; Varese E ; Verdi F ; Vigo EA ; Villa E ; Villegle J ; Voss J ; Vostell W ; Vroom I ; Warhol A ; Watts R ; Wendt L ; Werkman HN ; Williams E ; Williams J ; Wittgenstein L ; Wolman G ; Xisto P ; Young L ; Zaj ; Zurbrugg N ; Zweig E ; Sackner MA ; Sackner RK ; Boltanski C ; Conz F ; Noel A ; Leirner B., 2007
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Scope and Contents
The historic introduction of Jacques Donguy deals with the experiences of concrete poetry since 1953 beginning with Gomringer and the de Campos brothers up to contemporary times. The anthology follows an international bibliography, constructing the first panorama of this art of textual, sound and visual experimentation. The origin of the Sackner Archive is described as follows: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry of Miami in the United States began in 1975, following their discovery of the work of Tom Phillips. They became interested at first in the Russian Avant Garde, then in 1979, they discovered the Anthology of Concrete Poetry of Emmett Williams. Departing from there, Marvin Sackner has not stopped acquiring books and works of poets included in this anthology. This archive has given a place for exhibitions and may be compared to the Jean Brown Archives, purchased in 1986 by the Getty, and to the Hans Sohm Archives, now in the Stuttgart Museum. He mentions that Sackner is also interested in Lettrisme. The catalogue of their archive, published in 500 examples in 1986, was 898 pages.Donguy provides a dscriptiion of concrete and visual poetry throughout the world, country by country. -- Source of annotation: Marvin or Ruth Sackner.
Dates
- Creation: 2007
Creator
- Donguy, Jacques (Person)
- Acconci, Vito, 1940-2017 (Person)
- Achleitner, Friedrich, 1930-2019 (Person)
Extent
0 See container summary (1 hard cover book (399 pages)) ; 23.7 x 17.8 x 3.5 cm
Language of Materials
From the Collection: English
Physical Location
ref shelf concrete visual poetry international
Custodial History
The Sackner Archive of Concrete and Visual Poetry, on loan from Ruth and Marvin A. Sackner and the Sackner Family Partnership.
General
Published: Dijon, France : Les Presses du Reel; A.D.I.M.. Nationality of creator: French. General: Number of duplicates: 1. General: Added by: RUTH; updated by: RED.
Genre / Form
Repository Details
Part of the The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry Repository
125 W. Washington St.
Main Library
Iowa City Iowa 52242 United States
319-335-5921