Abstract markings
Found in 150 Collections and/or Records:
[Two Boys Blue Second Stage], 1982
[Typewriter Art], 1981
The drawings are unsigned, but two packing slips accompanying the work with Jennifer Hawkins' signature have been retained. Internet: Jennifer Hawkins trained at the Canberra School of Art and now lives on the South Coast of New South Wales. She works with a range of symbols, materials, and processes to explore the human condition. Though she has been called purist, minimalist, and conceptualist, she says she just uses "whatever materials and techniques seem to make the best marriage with the idea'. She has exhibited in group and solo exhibitions and has work held in private and public collections both here and overseas. In September 2006, she won the Basil Sellers Art Prize with her work ... and on that day they shall rise up... In 2005, Quilt for a Park Bench won the Quota Rotary Art Prize at Wagga. -- Source of annotation: Marvin or Ruth Sackner.
Ulli's Sett, 1994
Ulli's Sett, 1994
Un 'Pop Art' Postcard, No. 1: Night Garden, 1963
Printed by d.a. levy and stored in his binder. *WEB 1998: Marilyn Edwards: I think this piece was offset. -- Source of annotation: Marvin or Ruth Sackner.
Un 'Pop Art' Postcard, No. 2: Ankara, 1963
Un 'Pop Art' Postcard, No. 3 : The Trial, 1964
Printed by d.a. levy. Stored with Silver Cesspool. -- Source of annotation: Marvin or Ruth Sackner.
Un 'Pop Art' Postcard, No. 4: Ecstatic Nomad, 1964
Printed by d.a. levy and stored in his binder. -- Source of annotation: Marvin or Ruth Sackner.
Un 'Pop Art' Postcard, no. 6: Stealing [letter to Will Inman], 1964
Printed by d.a. levy. The message on the verso of this card by levy to Will Inman is described in the citation under levy. Stored with Silver Cesspool. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled], 1960
The ideograms appear ro be stylized letters, "B G," i.e., initials of Brion Gysisn. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] , 1987
[Untitled] / Berthier, Jean., 1964
[Unused Cover Designs for Short History of London], 1979
Variations on a Theme, 1986
Vestimentiferan, 1993
Also designated triptych nine. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.11, 2002
Visual Poetry Collaboration. No.12, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.13, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.20, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Vita Communi, 1952
In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.