This poster consists of several colored, photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

This poster consists of several, colored photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

This book was exhibited at Thomas J. Watson Gallery, NYC in 1986 in "The Book Thought Through." There is a photographic reproduction of the unfolded book in the catalogue. Moore designed the book and Alexander composed the poem. The exhibition was curated by Edwina Evers of Califia Books who also wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict sections of maps encircled by a black ink border. The envelope is addressed to John Pyros. The card is an announcent tosubit to a correspondence art project. -- Source of annotation: Marvin or Ruth Sackner.

This book was made in the summer of 1981 by developing artistic variations of some of the 500 tables as exhibited in Crozier's Table Project at Stempelplaats, Amsterdam, January 1981. -- Source of annotation: Marvin or Ruth Sackner.

One of the pamphlets that consists of a printed folded papercard sheet depicts a colored photograph of Scherstjanoi and also includes the colophon. The other pamphlet consists of Table of Contents for the picture poems in the three books. The theme of the drawings is Scherstjanoi's hieroglyphic, interpretations of the landscapes of Aix-en-Provence and Arie after Paul Cezanne and Vincent van Gogh. The individual drawings are reminiscent of those found in the books by Albrecht Genin that are also hold by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover is unique and was painted by Liz Was. -- Source of annotation: Marvin or Ruth Sackner.

This commissioned exhibition catalogue was sent to selected librairies and collectors to celebrate the ARLIS meetings in Williamstown in 1984. It itself is an artist book. -- Source of annotation: Marvin or Ruth Sackner.

This collection contains materials from conservator and book artist Pamela Spitzmueller. It includes Pam’s bookbindings, conservation work (including Harvey's 1628 De motu cordis and the Nag Hammadi codices), research notebooks, personal journals, correspondence, and book arts scholarship. The collection also has records and keepsakes pertaining to the Paper and Book Intensive (PBI) and the Guild of Book Workers (GBW).

The images of the scroll focus upon fantastic architectures. -- Source of annotation: Marvin or Ruth Sackner.

Collection of book arts ephemera, with emphasis on papermaking and miniature books.

This a sketch and idea book that includes several small paintings. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book were handcolored by Elizabeth Was. -- Source of annotation: Marvin or Ruth Sackner.

The drawings are sketches of the locations of items within Collins' archive. The photographs document various Collins inspired projects. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts four horizontally placed squares containing line drawings and texts. -- Source of annotation: Marvin or Ruth Sackner.

The pages are blue architectural papers and contain, in addition to the hand printed story, architectural drawings, geometric figures, interior spaces, figurative drawings blended in a surrealistic manner. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. DagmaR [Polokovs] aka Mara was levy's common-in-law wife. -- Source of annotation: Marvin or Ruth Sackner.