Pictures and text taken from Francis Picabius' "Manifeste cannibale dans l'obsuri"

This work was commissioned by the Sackner Archive to include a sampler of Horndeski's work. The theme is a couple who appear on the top of the box reading in their library with the sky outside their windows reminiscent of Van Gough's Starry Night. The top of the box depicts a fragment of a music score by Vivaldi and the sides calligraphic text and diagrams on Michaelson's theory of light and distance; all paintings are landscapes that relate to the couple's activities near their house. -- Source of annotation: Marvin or Ruth Sackner.

Deals with practices that make for a neat household. -- Source of annotation: Marvin or Ruth Sackner.

The title is a pun on "his;" feminine form; truth elusive. Clio, the muse of history, is the shadow-like figure in the collages. The book containing the collages is supported on the hanger structure. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

This work is an unlabeled box with unbound but numbered page scut in the form of an ellipse. Margarita Deidra Pietri is the Literary Administrator of Pietri's estate. His papers are held by Archives of the Puerto Rican Diaspora, Centro de Estudios Puertorriqueños, Hunter College, CUNY, 695 Park Avenue, New York, NY 10021 (212-772-4197) including material related to 'I Never Promised You a Cheeseburger.' -- Source of annotation: Marvin or Ruth Sackner.

The pages are rendered with highly innovative typographic lay-out designs. One fold-out page unfolds from its two folds to form a square shaped print. -- Source of annotation: Marvin or Ruth Sackner.

There are pseudo-German baroque texts running througout the book that spawn figures or heads from the letters. -- Source of annotation: Marvin or Ruth Sackner.

The book object and box have the shapes of pentagons. Each side is perforated to serve as a camera obscura so that the viewer can visualize an image from the book object or outside of it through the opposite side of the pentagon. -- Source of annotation: Marvin or Ruth Sackner.

The title is taken from a phrase in Samuel Beckett's play, Waiting for Godot. -- Source of annotation: Marvin or Ruth Sackner.

The calligraphy in this book is varied from page to page. -- Source of annotation: Marvin or Ruth Sackner.

Merante utilized a printed trade editioned booklet as the means for this artist book by writing on top of the printed text. In the first section, he left intact word clusters that relate to the Inistic art movement to which he belongs, e.g. ini, ange -- Source of annotation: Marvin or Ruth Sackner.