The pages were printed from writings and collages of newspaper and periodical clippings in which the word, grun (meaning green in English) was mentioned. -- Source of annotation: Marvin or Ruth Sackner.

Colored photographs of Elvis Presley are collaged onto black & white photographs. The book object is a pouch made of blue denim. -- Source of annotation: Marvin or Ruth Sackner.

Most of the pages consist of a listing of German villages that are printed on the left side of the page. The right side consists of handwritten calligraphic markings and ideograms. Although five copies of the book were made, each is actually unique since the calligraphy varies from one to another. The last six pages provide documentation for the book. -- Source of annotation: Marvin or Ruth Sackner.

Rubber balloon incorporated into cover design. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets of white papercard that were perforated with circular white holes placed at random on the different leaves, are held together by a single loose leaf ring. -- Source of annotation: Marvin or Ruth Sackner.

The paper slips in the hollow read "to see beyond - the hand that points - in the individual soul, etc. -- Source of annotation: Marvin or Ruth Sackner.

George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.

Wolf writes that "the Asian appearance of the text is created by overprinting a German text, inspired by stories told by the artist's German speaking son, who lives as a journalist in Hong Kong." Five distinct, folded booklets are fastened to the front (black) and back (red) covers; there is no spine. The book is wrapped with 2 colored paper tapes which are held by the long wooden stick. -- Source of annotation: Marvin or Ruth Sackner.

This work was commissioned by the Sackner Archive to include a sampler of Horndeski's work. The theme is a couple who appear on the top of the box reading in their library with the sky outside their windows reminiscent of Van Gough's Starry Night. The top of the box depicts a fragment of a music score by Vivaldi and the sides calligraphic text and diagrams on Michaelson's theory of light and distance; all paintings are landscapes that relate to the couple's activities near their house. -- Source of annotation: Marvin or Ruth Sackner.

Deals with practices that make for a neat household. -- Source of annotation: Marvin or Ruth Sackner.

The title is a pun on "his;" feminine form; truth elusive. Clio, the muse of history, is the shadow-like figure in the collages. The book containing the collages is supported on the hanger structure. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

This work is an unlabeled box with unbound but numbered page scut in the form of an ellipse. Margarita Deidra Pietri is the Literary Administrator of Pietri's estate. His papers are held by Archives of the Puerto Rican Diaspora, Centro de Estudios Puertorriqueños, Hunter College, CUNY, 695 Park Avenue, New York, NY 10021 (212-772-4197) including material related to 'I Never Promised You a Cheeseburger.' -- Source of annotation: Marvin or Ruth Sackner.

The pages are rendered with highly innovative typographic lay-out designs. One fold-out page unfolds from its two folds to form a square shaped print. -- Source of annotation: Marvin or Ruth Sackner.