The spine of the book in this composition, which has been altered to the appearance of a Guillotine, is entitled "Creative Aggression." This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2 in San Opispo, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This copy also includes the originals and the photocopies of each of the works. According to Jan VanderDonk, there were five limited copies of this work that included include an original collage, an original lino-cut and two original drawings, signed by the artist. The content sheet prints: 1. Lino-cut 2. Le soldat inconnu 3. Sound poem 4. La belle momie 5. Gravure sur cuivre (trouvee, v. 1805) 6. Nímporte quoi 7. Projet photo 8. Colossal (found) 9. Drawing (photo-litho) 10. Drawing 11. Coloured drawing 12. Give him the inspiration 13. X-word. Thiis content is far less than in the current A copy held by the Sackner Archive. Ten of the typewritings are initialled 'hfg'; this is Cozette's son, Francois who composed the poems as a teenager. -- Source of annotation: Marvin or Ruth Sackner.

The cover and each page depict a photograph of female nude collaged with components of industrial machines tools that are placed in strategic positions. -- Source of annotation: Marvin or Ruth Sackner.

The artist describes this book as follows. "The book consists of fifty-two pages, each with one word repeated and overlaid across the page. A symbol that represents a way of understating each word is cut out with colored papers laid under the cut-outs. Half of the pages contain a phrase related to both the word and symbol printed in a light grey. Cloth covered stiff leaf binding, laser printed text, cut pages, Japanese dyed paper." The book opens to a circular form. -- Source of annotation: Marvin or Ruth Sackner.

The round images on the four pages are a backward clock face, Stonehenge, a labyrinth and the earth as seen from space. The pages are attached to the lock handle and the key is in the lock. This is Bart's greeting for the new millenium. -- Source of annotation: Marvin or Ruth Sackner.

This book commemorating Valentine's Day 1995, consists of randomly arranged phrases containing the word, red, which is omitted and marked with an underlined space. A red pencil is provided in the base to allow writing this missing word. The transluce pages that fold over each other were printed with a laser from a MacIntosh computer. The ink drawings in black ink depicting red colored fruits (apple, strawberry, etc.) on the covers were printed letterpress at the Center for Book Arts, NYC. -- Source of annotation: Marvin or Ruth Sackner.

The five poems that make up the text are based upon Japanese ghost stories told by Lafcadio Hearn in his book, "Kwaiden." The book has an unusual construction in that the sleeve pages are to be opened from their sides to reveal continuation of the poem printed on the recto sides of the pages. In the introduction, Young writes, "...I make use of the three-dimensional pages: pages with insides and outsides... I hope that each reader will bring his or her own senses of inside and outside to the reading of this book. I should, however, point out that the insides and outsides interact with each other in various ways, primarily by paralleling or working against each other. The inside-outside tension should not only create a dialectical progression, but constantly turn the book on on itself and out to the reader." -- Source of annotation: Marvin or Ruth Sackner.

The paper tape is hand-printed with the phrase "From Dust to Dust." A small paper with an inscription is tied to a human rib bone found by Barron in Turkey. The painted and folded pamphlet is collaged with the saying "The Truth is in the Details" and has the artist's name painted in Hebrew along with two skeletons. A torn "fragile" label is also included in the flip-top box.*Web 1998: [Email]dbarron501@aol.com The "bone" is a human rib-bone, oh pulmonary specialist--and one of adam's, most likely. "love, adarn" should be "love, adam". -- Source of annotation: Marvin or Ruth Sackner.