Artist book
Found in 370 Collections and/or Records:
dbqp, No. 166: A Voice Without Sides #6, 1992
Desert Storm/Desert Sand, 1991
This bookwork emphasizes the major role of television in the conduct of the Gulf War. -- Source of annotation: Marvin or Ruth Sackner.
Dessins, 1967
Dialogue, 1997
The pages of the booklets consist of photocopied typewritten texts. The box is addressed to P[atricia] Collins. -- Source of annotation: Marvin or Ruth Sackner.
DiaLugen, 1992
Although the edition size is nine copies, every drawing in each of the copies is unique. -- Source of annotation: Marvin or Ruth Sackner.
Diario 1973 / Vittore Baroni., 1984
Photographic image of Baroni on front cover; book cannot be opened. -- Source of annotation: Marvin or Ruth Sackner.
D'Ici Là, 1982
Die Bayerische Ursonate und andere Geschichten, 2001
This is one of six copies of a handwritten book. -- Source of annotation: Marvin or Ruth Sackner.
Die Ich-Zettel, 1982
Die unendliche Bibliothek, 1985
Don't Let the Stars Get In Your Eyes, 1999
Natalie Gallo was a fifth grade student at Rockway Elementary School when she made this book. The poems on the pages have the theme of stars. -- Source of annotation: Marvin or Ruth Sackner.
Duster 2, 2002
Each paper strip contains a poetic, metaphor about dusters, paper and words. -- Source of annotation: Marvin or Ruth Sackner.
Earth I, 1989
Book object which relates to Alchemy can be made into a number of different shapes; current shape is a pyramid. -- Source of annotation: Marvin or Ruth Sackner.
Ecarts de Bal, 1974
The bird-like shapes of the perforations are repeated in the bird shapes of the folded papers collaged onto the several pages. Except for the page with text by Chopin, the book is entirely white and was handmade by Bal. -- Source of annotation: Marvin or Ruth Sackner.
Editions Camomille, No. 12: Inventaire, 1991
The pages of this book object are blank. -- Source of annotation: Marvin or Ruth Sackner.
Editions Camomille, No. 23: ['lantsxap], 1997
Editions Camomille, No. 24: Exercices, 1998
Editions Camomille, No. 29: Les (dé)Ratés, 2007
The illustrations and text are separated into two compartments. Each can be rearranged to create different images with a caption.