Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of black-brown marbled pages without text or attrbution. -- Source of annotation: Marvin or Ruth Sackner.

This book "plots the logarithms of social measurement against stimulus values in decibels. It finds the sensation magnitude to be a constant that depends on interaction." Laxson uses scientific statements in a poetic mixture with social perceptions and feelings. These pages are printed in her typical arrangement of mixing different fonts and font dimensions. She also includes five pages of naive line drawings of a leader, a visionary, traffic, a friend, and a muse/guardian that contrast in style and content to the scientific, sophisticated typographic pages. Both inside covers have been collaged from edge to edge with letterpressed printed text. -- Source of annotation: Marvin or Ruth Sackner.

All the color illustrations of Andryczuk's drawings are tipped onto the pages. The prints and drawing are housed in an insert on the inside of the back cover. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this booklet consist of a ruled grid with superimposed circles of 45 degree lines. -- Source of annotation: Marvin or Ruth Sackner.

Ruth Laxson combines worldly, sophisticated statements of truth and wisdom with lively typographic, hand drawn and written designs. The book is divided into three sections: Theory, Figments and Other. -- Source of annotation: Marvin or Ruth Sackner.

The text and images are printed as dark grays or blacks on black such that their reading is made difficult. -- Source of annotation: Marvin or Ruth Sackner.

Andryczuk used found, antique sheet music as a the surface for his visual poetic, surrealistic drawings and collages. -- Source of annotation: Marvin or Ruth Sackner.

This poster consists of several colored, photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

This poster consists of several, colored photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

The pages depict sections of maps encircled by a black ink border. The envelope is addressed to John Pyros. The card is an announcent tosubit to a correspondence art project. -- Source of annotation: Marvin or Ruth Sackner.

One of the pamphlets that consists of a printed folded papercard sheet depicts a colored photograph of Scherstjanoi and also includes the colophon. The other pamphlet consists of Table of Contents for the picture poems in the three books. The theme of the drawings is Scherstjanoi's hieroglyphic, interpretations of the landscapes of Aix-en-Provence and Arie after Paul Cezanne and Vincent van Gogh. The individual drawings are reminiscent of those found in the books by Albrecht Genin that are also hold by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover is unique and was painted by Liz Was. -- Source of annotation: Marvin or Ruth Sackner.

This commissioned exhibition catalogue was sent to selected librairies and collectors to celebrate the ARLIS meetings in Williamstown in 1984. It itself is an artist book. -- Source of annotation: Marvin or Ruth Sackner.

This collection contains materials from conservator and book artist Pamela Spitzmueller. It includes Pam’s bookbindings, conservation work (including Harvey's 1628 De motu cordis and the Nag Hammadi codices), research notebooks, personal journals, correspondence, and book arts scholarship. The collection also has records and keepsakes pertaining to the Paper and Book Intensive (PBI) and the Guild of Book Workers (GBW).