Artist book
Found in 386 Collections and/or Records:
Cooper Book #1, 1989
Pages consist of thin copper sheets. Artist has punched out small holes to form words or markings and passes black thread through the holes to form the images. -- Source of annotation: Marvin or Ruth Sackner.
Cortege dans la Lumiere, 1988
Couve le Feu, 2000
The egg is engraved with the title, perfect imprint, embellished with an original engraving enclosed with a text by Michael Gluck. This book object was delivered with rolled, uncrumpled pages within the shell. Their removal caused them to crumpled. The texts are egg shaped and printed on Tibetian paper with one raised, ink and gold leaf illuminated letter per page. -- Source of annotation: Marvin or Ruth Sackner.
Cries of Poindexter Village, 1980
The text appears to be an autobiographical account of the artist's youth. All leather work, including tanning, was done by the artist. Aminah Robinson (1940-2015) has also signed some of the books in this production with her given name, Brenda Lynn Robinson. Robinson, who received a MacArthur prize, had a major retrospective exhibition at the Brooklyn Museum 2006. This piece was in the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Dadark Room, 1980
There is no text; the book consists of blank, black pages. The artist committed suicide in November 2009 at age 71 because of unrelenting tinnitis (ringing in the ears). -- Source of annotation: Marvin or Ruth Sackner.
D'Âge en âge jusqu'au retournement, 1970
Dangling Participle, 1998
This work was purchased from the exhibition "Textiles/Fibers/Threads: The Book Show" at The Center for Book Arts, New York. The exhibition was curated by Kumi Korf and Charlotte Thorpe. Hensel describes her work as follows: "The words we all speak and think link together in sentences, disjointed phrases, odd web structures, broken threads and dangling participles. The words rush out of a vein, they cascade over all our experiences. This particular piece is about those threads of conversation left unfinished, dangling out of context, with sometimes unexpected consequences. At the time that I wrote this piece, I was thinking about the cruelty of teenage girls and about the half-truths and innuendos we hear on the news daily. This is a meander through the effects of impulsive adolescent conversations and rumors." -- Source of annotation: Marvin or Ruth Sackner.
Das globale Kasebuch, 1992
The title relates to several printed (found) pages in the book depicting Mickey Mouse like characters playing in Swiss Cheese. Images drawn by the artist appear on printed maps, index pages, and on black and white paper stock. -- Source of annotation: Marvin or Ruth Sackner.
dbqp, No. 166: A Voice Without Sides #6, 1992
Desert Storm/Desert Sand, 1991
This bookwork emphasizes the major role of television in the conduct of the Gulf War. -- Source of annotation: Marvin or Ruth Sackner.
Dessins, 1967
Dialogue, 1997
The pages of the booklets consist of photocopied typewritten texts. The box is addressed to P[atricia] Collins. -- Source of annotation: Marvin or Ruth Sackner.
DiaLugen, 1992
Although the edition size is nine copies, every drawing in each of the copies is unique. -- Source of annotation: Marvin or Ruth Sackner.
D'Ici Là, 1982
Die Bayerische Ursonate und andere Geschichten, 2001
This is one of six copies of a handwritten book. -- Source of annotation: Marvin or Ruth Sackner.
Die Ich-Zettel, 1982
Die unendliche Bibliothek, 1985
Don't Let the Stars Get In Your Eyes, 1999
Natalie Gallo was a fifth grade student at Rockway Elementary School when she made this book. The poems on the pages have the theme of stars. -- Source of annotation: Marvin or Ruth Sackner.
