The poems and etchings on papier du Nepal were executed by Anik Vinay; the slipcase was made by Emile-Bernard Souchiere. This copy is numbered 93 and the edition size is opened to orders. -- Source of annotation: Marvin or Ruth Sackner.

The booklet was designed by taking colored printed letters from clippings of the popular press and collaging them onto pages with a collaged visual and verbal background. The text reads, "R.W. Emerson essays - nothing great was ever achieved without enthusiasm." Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.

Poems were composed by d.a.levy in 1967 and most of the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Pages are glued together and can only be opened with force. -- Source of annotation: Marvin or Ruth Sackner.

The book is an expansion of a print (Four People) that depicts a story akin to "it didn't happen on my shift!" -- Source of annotation: Marvin or Ruth Sackner.

No.3 in series. -- Source of annotation: Marvin or Ruth Sackner.

The two loose sheets describe undesirable side-effects of capitalism and a site list of watchdogs and gadflies. The currency consists of five photocopied 20 dollar bills, realistically reproduced on the recto and containing environmentally incorrect sites on the verso, e.g., Mexico strip mining, Rewanda genocide, Burma forced labor, Brazil deforestation, and Los Angeles toxic ghettos. -- Source of annotation: Marvin or Ruth Sackner.

The pages are composed of collages. -- Source of annotation: Marvin or Ruth Sackner.

The pages are composed of collages. -- Source of annotation: Marvin or Ruth Sackner.

The pages are printed in grey ink with half of the vertical page with a different font printed upside down. The left side of the page is a Basinski poem and the right side a Basinski story. Abstract forms and illustrations are interspersed on the pages. The Sackner Archive also holds a deluxe copy of this book. -- Source of annotation: Marvin or Ruth Sackner.

The pages are printed in grey ink with half of the vertical page with a different font printed upside down. The left side of the page is a Basinski poem and the right side a Basinski story. Abstract forms and illustrations are interspersed on the pages. -- Source of annotation: Marvin or Ruth Sackner.

This work was featured in an exhibition curated by Fernando Aguiar, "Imaginaros Da Ruptura = Poeticas Visualis" held in Douro e Vale do Coa, Portugal. The surfaces of the prints in this book are on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.

The author indicated that the "book" is a translucent envelope containing six "certificates" with texts addressing: Surveillance & Knowledge, Surveillance & Purity, Surveillance & Reciprocity, Surveillance & Glamour, and Surveillance & Absurdity. In between the certificates are the SurVeils - masks of onionskin paper with different life-sized images of closed eyes with little eye-holes: To hide your open eyes and aid in "surveilling your surveillors." To reinforce the deception, at the bottom of each veil is rubberstamped "my eyes are closed." Adhesive dots can be attached to the eyes. -- Source of annotation: Marvin or Ruth Sackner.

The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.

The illustrations depict visual poetic collages made by Ori early on; many are framed by a drawing of a stage. Luciano Ori was born in Florence in 1928. -- Source of annotation: Marvin or Ruth Sackner.