Calligraphic text
Subject Source: Sackner Database
Found in 413 Collections and/or Records:
Temple , 2008
This work is also designated as Card 22 from "Stories from the Flats." Tom Kryss contributed the envelope and cover designs. -- Source of annotation: Marvin or Ruth Sackner.
[the 1st of January] / Melnikov-Starquist, Willi., 1997
This is a letter addressed to Mr. Marvin Sackner! " Great thanks for your wonderful catalog!" -- Source of annotation: Marvin or Ruth Sackner. Attached to "Hieroglypoetry especially for Mr. Marvin Sackner"
The Amo Soph Arcane by Jack Hirschman , 1997
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Book of Broken Speech / Seille, Genevieve., 1994
The 'pages' consist of seven lengths of string fixed to the inside at the spine onto which have been collaged several fragments of paper with a handwritten word, e.g., clear, their, from, rare, sand, tightly, etc. -- Source of annotation: Marvin or Ruth Sackner.
The Brain of the Monster, 1989
The cover has calligraphic text by Seille. -- Source of annotation: Marvin or Ruth Sackner.
The Chthonic Arcane by Jack Hirschman , 1998
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush and added color fields in acrylic paint. -- Source of annotation: Marvin or Ruth Sackner.
The Corridors of Flower-Power, 1969
Depicts three visual poetic word columns. The Archive also holds this print backed on museum board. -- Source of annotation: Marvin or Ruth Sackner.
The Corridors of Flower-Power, 1969
Depicts three visual poetic word columns and several circles with optical effects from interlacing short lines. This print is depicted on page 44 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
The Eight: Fragments of Letters to the World, 1976
The Environment, 2005
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
[The Getty Center] , 1992
Baker's calligraphic rendering of the Getty Center's goals covers one side of this experimental, typographically designed brochure and bleeds through to the other side which has printed text. -- Source of annotation: Marvin or Ruth Sackner.
The Girt Arcane by Jack Hirschman, 1998
Falk did the calligraphy of Hirschman's poem in watercolor and china ink with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Green Chakre Arcane by Jack Hirschman, 1997
The Green Chakre Arcane by Jack Hirschman, 1997
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Hound Arcane by Jack Hirschman, 1998
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Invention of Mankind, 1976
Words are painted in capital letters in red, black and white colors over a blue-green painted background resembling a landscape. The sign has been appropriated from an electical contractor (identified as Ray White on verso). The painting was included the Philadelphia Art Alliance in 1984 as indicated by a paper label affixed to the verso. -- Source of annotation: Marvin or Ruth Sackner.
