Calligraphic text
Subject Source: Sackner Database
Found in 186 Collections and/or Records:
Fragment No.3 , 2000
This depicts a still life of mugs, drapes, and a hat (?) surrounded by words. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
Funginii , 1998
The theme of this poem is mushrooms. -- Source of annotation: Marvin or Ruth Sackner.
Ghosts Live in Closed Eyes , 2008
This work is also designated as Card 26 from "Stories from the Flats." Tom Kryss conributed the envelope and cover. -- Source of annotation: Marvin or Ruth Sackner.
grove sings 3, 1968
Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass.On the lower left side is inscribed " for ihf" e.g. Ian Hamilton Finlay. On the lower right an additional poem is drawn in rectangles that reads "louez" and "longs." -- Source of annotation: Marvin or Ruth Sackner.
grove sings 4, 1968
Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass. His instructions are "this version may be printed on thick white (card) to stand on looking glass best wld be for card to be such that it can be bent thus." -- Source of annotation: Marvin or Ruth Sackner.
Guide for 24 12 8 6 Point Circle, 1967
Cameron writes that this is "a page in typescript & dsh's hand offering 'a guide for a 24 12 8 6 point circle' to be made on a lettera 22 typewriter with single line adjustment" -- Source of annotation: Marvin or Ruth Sackner.
[Happy New Year!] / Melnikov-Starquist, Willi., 1997
Help, 1990
This calligraphic message is handwritten on a torn out page of a notebook -- Source of annotation: Marvin or Ruth Sackner.
Her Face Was Pale, 1980
two photos black and white depicting the bottom half of a face. text reads: "her face was pale / dry xerox white".
Hermes-Satie Hat, 1988
Hieroglypoetry especially for Mr. Marvin Sackner / Melnikov-Starquist, Willi., 30 December 1997
Human Being / Lynne Avadenka ; MA Sackner ; RK Sackner, 2001
This is an announcement for a billboard project and is part of "Root Words," an intensive investigation of th Hebrew and Arabic languages in collaboration with the Islamic calligrapher, Mohamed Zakaria. The Sackner Archive is listed as holding the works of Avadenka. -- Source of annotation: Marvin or Ruth Sackner.
I Am a Painter, 1984
I Suppose There Should Have Been More Colour, 1974
This book provides performances directions on fluxus-like themes. -- Source of annotation: Marvin or Ruth Sackner.
Ini Soit Qui Mal Y Pense, 1994
The text on the recto of the loose sheet is a calligraphic colored, sound poem using made up words intersperced with abstract images. -- Source of annotation: Marvin or Ruth Sackner.
(Invisible) Random Sightings, 1999
This issue contains a photograph that is reprinted and reproduced in (Uh..One & Uh..Two) Random Sightings. The cover photograph is by Alan Horvath. Reprints numerous collages from Serif (volume 8, number 4, 1972, Marijuana Newsletter #2 (1965), The Day is a Prayer they Can't Understand (1967), Cleveland Undercovers (1966), All Gods Must Learn to Kill (1967). Also reprints Farewell the Floating Cunt (1964) in its entirety. -- Source of annotation: Marvin or Ruth Sackner.
Iron Fist in Yr Yellow Chakra, 1998
[It was so sweet...], 1996
A thank you presentation from Doner to the Sackners in the form of a wedge shaped book, tied and wrapped, containing examples of Doner's ideogramatic drawings. -- Source of annotation: Marvin or Ruth Sackner.
