Lost and Found Times was founded by John M. Bennett and Doug Landies in 1975 and currently continues with Bennett as editor. This anthology contains a selection of text and graphics from isssues 1 to 39. -- Source of annotation: Marvin or Ruth Sackner.

This poster is an announcement for a book. -- Source of annotation: Marvin or Ruth Sackner.

Author is also known as Mahjoub Ben Bella. -- Source of annotation: Marvin or Ruth Sackner.

Kohav did the the cover and the calligraphic texts; Fred Reeves contributed the frontpiece drawing of Kohav. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts three stylized reddish-brown male nude figures placed over text for the outside two figures and on gold paint for the center figure. The top has the numbers 1 to 7 written in a horizontal row. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

According to Boshoff, this drawing shows "organic, interwoven sentences that have something to do with the inflection of words and the construction of sentences." -- Source of annotation: Marvin or Ruth Sackner.

This piece was commissioned for "The Beauty In Breathing" exhibition. A calligraphed, rubberstamped tag meaning magic denotes a cross-section of lung, with the clear center the airway. The image relates to breathing as a binary event, i.e, in & out, full & empty, dirty & clean. The red ink elements symbolize oxygen and the violet elements, carbon dioxide. Dautricourt was inspired by a book by Souzanelle on Human Body Symbolism, viz., the pulmonary tree in Hebrew is rea, but if pronounced roe meaning to see, this word could be interpreted as "light in breath." -- Source of annotation: Marvin or Ruth Sackner.

This is a drawing for a poster. It was given to the Sackners during his stay in their apartment for his performance during the celebration of an exhibition entitled, "Tour de France/Florida" held at the Frost Museum in Miami in January 2012. Several works made by Hubaut were lent to the exhibition by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Pessin's writing of a Butor text is presented in gold ink on a black paper background. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts three stylized reddish-brown male nude figures placed upon text for the outside two figures and on gold paint for the center figure. The center figure holds an arrow in his right hand and a twig with leaves in his left hand. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts a stylized reddish-brown male nude figure in the center with text on either side. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

Ruth Laxson combines worldly, sophisticated statements of truth and wisdom with lively typographic, hand drawn and written designs. The book is divided into three sections: Theory, Figments and Other. -- Source of annotation: Marvin or Ruth Sackner.

This drawing is densely written in Russian script with an overlaying central figure consisting of varying handwritten texts. -- Source of annotation: Marvin or Ruth Sackner.

This drawing is densely written in Russian script with an overlaying central figure consisting of swirling designs in the base. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.