Calligraphic text
Found in 2964 Collections and/or Records:
[An Idioecholect] / Cole, David., 1994
The artist created this tropical landscape drawing as a thank you message after visiting the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
An Oil Painting By Hornel Dated / Finlay, Ian Hamilton; Bailey, Keith., 1976
Deals with an oil painting by Hornel dated 1918 being shown in the Demarco Gallery. -- Source of annotation: Marvin or Ruth Sackner.
ANA ART / Oberto, Martino., 1975
ANA L / Oberto, Martino., 1975
Anagrafia, 1968
Consists of a partially legible phrase printed vertically across the poster. -- Source of annotation: Marvin or Ruth Sackner.
ANAGRAMMA / Danon, Betty., 1975 - 1985
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Analetter Anarchia Linguistic for a Measure of Language, 1965
Poster includes written Italian words and words using a made-up language typical of Oberto's style of presentations. Oberto ("OM") [1925-2011] was a visual poet, asemic writer, anarchist, anartist, founder of the seminal vispo mag "Ana etcetera" (1958-70). He exhibited in solo and collective shows (with Munari, Dorfles, Fontana and many others) from the 50s up to 2011. He also made experimental movies, and wrote philosophical essays about writing & art. He lived in New York for a decade or so, then came back to Genoa in the 90s. -- Source of annotation: Marvin or Ruth Sackner.
Anaphora & Glagolista / Tolstov, Vladimir., 1996
Taken from the Archive of O!!Zone 1998. -- Source of annotation: Marvin or Ruth Sackner.
Anascrittura / Oberto, Martino (OM)., 1979
Anatomy / Babenko, Dmitry., 2005
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
Ancient Breathing / Lewty, Simon., 1991
Commissioned for "The Beauty In Breathing" exhibition. The images read from bottom to top, move from earth to air, and then back again as a metaphor for breathing. A landscape signifies breathing of earth and a mandrake root "screams" when pulled fro the earth. A balloon man adapted from a Chinese Taoist illiustration of psychic breathing, hovers over the sea in a place where air is "worth breathing." The scroll contains automatic writing done as Lewty focused on the rhythm of his own breathing. -- Source of annotation: Marvin or Ruth Sackner.
[And Blood Poured Down] / Copithorne, Judith., 1987
And North East / IRA Want Athos (740822) / Houedard, Dom Sylvester., 1974
This poem was composed for Bob Cobbing/Writers Forum Exhibition at Ceolfrith Sunderland. The writing on the recto of this poem, 'And North East,' is visible on the verso as 'IRA Want Athos.' In Greek mythology, Athos was one of the Gigantes. He threw a mountain at Zeus, who knocked it to the ground near Macedonia. The mountain became the holy peak of Mount Athos, an ancient monastic state. -- Source of annotation: Marvin or Ruth Sackner.
ange R / Houedard, Dom Sylvester., 1968
The handwritten word on the verso is "anger." -- Source of annotation: Marvin or Ruth Sackner.
Angst (be afraid) / Buchwalder, Ernst., 1983
Ankunft Deutschland / Gunther, Thomas., 1993
Copies 1-25 were included in an issue of Entwerter Oder. -- Source of annotation: Marvin or Ruth Sackner.
Anna Magdalena Bach Notebook: 7. 117-1/B Polonaise in F / Elena Presser., 1982
This is one of thirty five works comprising the suite from the Anna Magdelena Bach Notebooks commissioned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Anna Magdalena Bach Notebook: 7. 117-1/B Polonaise in F / Elena Presser., 1982
This is one of thirty five works comprising the suite from the Anna Magdelena Bach Notebooks commissioned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Anna Magdalena Bach Notebook: 10. 510-Chorale / Elena Presser., 1985
According to Presser, this contains the melody of Paul Gerhard's hymn "Gib dich zufrieden und sei stille" but the text does not accompany the piece. The bass was probably written by Johann Gottfried Bernhard (3rd son of Bach's 1st marriage as an assignment. Rods hold all the notes as color coded pierced squares. Presser imagines that the child threads the bright colors to make music. The booklet at the bottom has the name & #510 of the piece, Bach's name in # (14-41) & Presser's name in #35- -- Source of annotation: Marvin or Ruth Sackner.
Anna Magdalena Bach Notebook: 11. Chorale-Lied in G Minor / Elena Presser., 1985
This is one of thirty five works comprising the suite from the Anna Magdelena Bach Notebooks commissioned by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.