Calligraphic text
Found in 424 Collections and/or Records:
I Am a Painter, 1984
[I am afraid that to read this letter you might need binoculers] / Seille, Genevieve., 1991
In this letter to the Sackners, the artist writes about her new works which she calls "Architecture Fluide." Examples of this genre were later acquired by the Sackner Archive from an exhibition held at the England Gallery, London in April 1992. -- Source of annotation: Marvin or Ruth Sackner.
I Suppose There Should Have Been More Colour, 1974
This book provides performances directions on fluxus-like themes. -- Source of annotation: Marvin or Ruth Sackner.
In a Sequence of Dreams, 1968
In Rapporto A, 1976
The calligraphy in this book is varied from page to page. -- Source of annotation: Marvin or Ruth Sackner.
In Tone, 1990
Infused, 1994
Ini Soit Qui Mal Y Pense, 1994
The text on the recto of the loose sheet is a calligraphic colored, sound poem using made up words intersperced with abstract images. -- Source of annotation: Marvin or Ruth Sackner.
Inspire , 1990
Letter to Sackners relates to his commission for "The Beauty in Breathing" exhibition. -- Source of annotation: Marvin or Ruth Sackner.
(Invisible) Random Sightings, 1999
This issue contains a photograph that is reprinted and reproduced in (Uh..One & Uh..Two) Random Sightings. The cover photograph is by Alan Horvath. Reprints numerous collages from Serif (volume 8, number 4, 1972, Marijuana Newsletter #2 (1965), The Day is a Prayer they Can't Understand (1967), Cleveland Undercovers (1966), All Gods Must Learn to Kill (1967). Also reprints Farewell the Floating Cunt (1964) in its entirety. -- Source of annotation: Marvin or Ruth Sackner.
Iron Fist in Yr Yellow Chakra, 1998
It Is a Tree of Life, 1995
[It was so sweet...], 1996
A thank you presentation from Doner to the Sackners in the form of a wedge shaped book, tied and wrapped, containing examples of Doner's ideogramatic drawings. -- Source of annotation: Marvin or Ruth Sackner.
JCMCJJ II, 1990
Text and imagery relates to John Cage, Merce Cunningham, and Jasper Johns "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.
Jizz Rim (5th outtake) , 1997
Joseph Delteil - La Cuisine Paleolithique, 1999
The text is written and drawn with colorful design elements. It reads, "Mange avec les doights. Bois avec le nez." The front cover is stamped with the words "nez" and includes a relief of a cardboard collaged nose. The rear cover is stamped with words "bouche" and contains a relief of cardboard collaged lips. The binding is by Knoderer and the drawings are by Pagiras. Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.
Jottings , 2003
These are samples of Jan Baker designed textiles created in collaboration with Lori Weitzner for an award winning upholstery fabric collection. -- Source of annotation: Marvin or Ruth Sackner.
June 4 - June 8, 2001, 2001
Bennett gave these prints to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.
K, 2005
Ketty La Rocca, 1975
The photographic portion of this book is reprinted from a book first published by Centro DI in Florence, Italy in 1971. The translucent paper, printed pages inserts with writing and abstract markings are new to this edition. The photographs depict realistic intertwined hands and arms from single or multiple subjects usually captioned in Italian and English with a brief phase or poem. There are two translucent paper overlays tracing each one of the photographic images. The top one traces the outlines of the photograph with line and calligraphic text and the bottom one with shading and calligraphic text. Ketty La Rocca was born in 1938 and died in 1976, one year after the book was published. -- Source of annotation: Marvin or Ruth Sackner.
