Text and imagery relates to John Cage, Merce Cunningham, and Jasper Johns "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.

The text is written and drawn with colorful design elements. It reads, "Mange avec les doights. Bois avec le nez." The front cover is stamped with the words "nez" and includes a relief of a cardboard collaged nose. The rear cover is stamped with words "bouche" and contains a relief of cardboard collaged lips. The binding is by Knoderer and the drawings are by Pagiras. Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.

These are samples of Jan Baker designed textiles created in collaboration with Lori Weitzner for an award winning upholstery fabric collection. -- Source of annotation: Marvin or Ruth Sackner.

Each contributor has an inked his/her fingerprint that follows the engraving. -- Source of annotation: Marvin or Ruth Sackner.

Lames means thin metal in English. -- Source of annotation: Marvin or Ruth Sackner.

The sculpture consists of 13 interlocking, painted wooden rings which rest upon the book object base. The total number of copies of this book is unknown since the publishers make additional copies on order. -- Source of annotation: Marvin or Ruth Sackner.

The clock was commissioned by Groupe Clinivest for the year 2000. Albert Dupont designed the watch-face using the imprint of babies' feet for the numerals. Dupont wrote the label on the top of the metal container. -- Source of annotation: Marvin or Ruth Sackner.

The artist died in 2011 or 2012 but her obituary has not been posted on the iinternet. -- Source of annotation: Marvin or Ruth Sackner.

The drawings consist of the same phrase appears with slightly different calligraphic styles. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes several works of his to Harris and expresses hopes for contacts in Canadian radio. -- Source of annotation: Marvin or Ruth Sackner.

David Harris aka David UU. Letter discusses sending sound performance tapes for festival. Cobbing states that he "must try to keep better contact between what we are doing and your good selves." -- Source of annotation: Marvin or Ruth Sackner.

The folded letters were printed in an edition of 650 in 1983-1991 and mailed to the Sackner Archive in separate envelopes by Edition Despalles, the distributor for Atelier des Grames, but the cassette that holds them is made upon request. -- Source of annotation: Marvin or Ruth Sackner.

These collages have the same formatted media presentation but differ in their themes most of which are abstract. However, one of the calligraphic images is modeled after a Futurist Parole In Liberta landscape poem in which large dotted "i's" serve as Roman columns while another depicts an oriental face. -- Source of annotation: Marvin or Ruth Sackner.

The dark brown covers of this book have been collaged, crumpled and heavily varnished by Seille to create a unique artist binding, The endpapers consist of fluid calligraphic writing in an unrecognizable alphabet, written in black paint reminiscent of Chinese calligraphy. The pages are collaged with the artist's unique drawings consisting of images, numbers, surrealistic drawings and organic structures. The pages are varnished such that a crunchy sound is emitted upon turning the pages. -- Source of annotation: Marvin or Ruth Sackner.