The blocks can be viewed as a whole in the plexiglas case or removed and arranged by the viewer. -- Source of annotation: Marvin or Ruth Sackner.

This poster is an announcement for a book. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts three stylized reddish-brown male nude figures placed over text for the outside two figures and on gold paint for the center figure. The top has the numbers 1 to 7 written in a horizontal row. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

Ben Vautier contributes a line ink drawing which is white on the inside front cover and yellow on the facing page of a smiling man's face and the statements "moite blanc" and "je suis moitie jaune." The main section of the book is conventionally printed and list aphorisms of Ben's "Art Total" from 1965 -1997. The accompanying print was written in Ben's typical style. -- Source of annotation: Marvin or Ruth Sackner.

Forty-eight matching pairs of abstract design images on cards, with the words "memory" written on the verso, are to be matched in playing this game. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts three stylized reddish-brown male nude figures placed upon text for the outside two figures and on gold paint for the center figure. The center figure holds an arrow in his right hand and a twig with leaves in his left hand. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts a stylized reddish-brown male nude figure in the center with text on either side. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

This drawing is densely written in Russian script with an overlaying central figure consisting of varying handwritten texts. -- Source of annotation: Marvin or Ruth Sackner.

This drawing is densely written in Russian script with an overlaying central figure consisting of swirling designs in the base. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a stylized reddish-orange colored heart surrounded by micrographic writing in Russian. A target with a dart is collaged onto the drawing. -- Source of annotation: Marvin or Ruth Sackner.

The booklet with the 26 treated pages has an abstract line drawing on its cover, the booklet with 69 treated pages has the roman numeral "II" on its cover with the title "Les Tres Riches Heures de Fleur." The first booklet describes and illustrates trips to Kenya, Verona, Dusseldorf with Phillips' assistant/bookbinder Pella Erskine Tulloch. He also describes and illustrates her musical tastes. The first sketch of her portrait appears on one of the pages; the Sackner Archive holds the completed painted portrait. In the booklet with 69 treated pages (concertina II), Phillips mentions drawing and painting Pella's portrait and comments on his own activities. -- Source of annotation: Marvin or Ruth Sackner.