Calligraphic text
Subject Source: Sackner Database
Found in 186 Collections and/or Records:
Temple , 2008
This work is also designated as Card 22 from "Stories from the Flats." Tom Kryss contributed the envelope and cover designs. -- Source of annotation: Marvin or Ruth Sackner.
[the 1st of January] / Melnikov-Starquist, Willi., 1997
This is a letter addressed to Mr. Marvin Sackner! " Great thanks for your wonderful catalog!" -- Source of annotation: Marvin or Ruth Sackner. Attached to "Hieroglypoetry especially for Mr. Marvin Sackner"
The Book of Broken Speech / Seille, Genevieve., 1994
The 'pages' consist of seven lengths of string fixed to the inside at the spine onto which have been collaged several fragments of paper with a handwritten word, e.g., clear, their, from, rare, sand, tightly, etc. -- Source of annotation: Marvin or Ruth Sackner.
The Brain of the Monster, 1989
The cover has calligraphic text by Seille. -- Source of annotation: Marvin or Ruth Sackner.
The Eight: Fragments of Letters to the World, 1976
The Memoirs Of Vladimir M., 1989
The Origins of Father Christmas / Cobbing, Bob., 1980
The Prayer, 2000
Inked drawing of a man smoking as men and eyes surround him. Signed by artist
The Same Proximity, 1989
The Shroud, 2006
The Splintered Page: Homage to Asa Beneviste, 1990
Work done in homage to Asa Beneviste, the American expatriate poet/publisher, who died in Yorkshire at age 64 of diabetes. The signs derive from original Welsh alphabets as Wales is closest to both Beneviste and Hirschman. -- Source of annotation: Marvin or Ruth Sackner.
This Taggy Cloud Sculptured, 1989
[Tibetan Scriptures], 1970
[Tre pination], 1999
turnings xmas69, 1969
Houedard wrote this poem with his typical printed letters. -- Source of annotation: Marvin or Ruth Sackner.
[Two pot holders], 2003
V.B. in Vitro, 1980
Venus of the Hours, 1975
Visual Poem , 1996
This work was included in pete spence's archive. This "visual poem" as designated by Babenko consists solely of language. -- Source of annotation: Marvin or Ruth Sackner.
