The paper base for this drawing is a sketchbook page. The disjointed lettering between the Laugh and Scream is reminiscent of the some of the paintings by Tim Rollins + K.O.S. and Didier Mutel's book, "The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson." -- Source of annotation: Marvin or Ruth Sackner.

This is the lay-out for a poster announcing a poetry reading that was curry's first. curry and essary's contributions to the poster were photocopied fragments and Dudley's an ink drawing. -- Source of annotation: Marvin or Ruth Sackner.

Ruth Sackner delivered this lecture at the opening of Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You." It focused on the relation of Mathew Abess, the curator of the exhibition and the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.

The number 84 was typed repetitively to achieve the desired visual effect. -- Source of annotation: Marvin or Ruth Sackner.

This publication depicts Beaulieu's letraset collages including Untitled (2010), a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

A single large letter is collaged onto one of the six surfaces of the cube, e.g., L,W, E , F, U, and R but they do not form a word in any adjacent sequence. -- Source of annotation: Marvin or Ruth Sackner.

levy discusses stamp collecting and asks for article about concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a manuscript submitted for publication to david w harris entitled, "The Incense Box" that apparently remained unpublished. -- Source of annotation: Marvin or Ruth Sackner.

levy wrutes about contributions of concrete poetry being solicited for a forthcoming issue of Paris Review. -- Source of annotation: Marvin or Ruth Sackner.

The drawing on a heavy brown paper utilizes a grid of graphite inscribed squares that are filled in a random fashion with vividly painted letters and numbers. The latter appeared to have been laid out with a stencil and encompassed one to three square constellations. The attachment of meaning to the letters, numbers, and their lay-out is not readily apparent. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a photographic portrait of Houedard along with the famous Haiku he translated from Bashu, "frog, pond, plop." It is depicted on page 140 of Furnival's book, "The Locative-Vocative Cases." -- Source of annotation: Marvin or Ruth Sackner.