The arrangement of the typewriting, viz., upside down phrases interspaced between right-side-up text, provides an abstract visual image. -- Source of annotation: Marvin or Ruth Sackner.

Typed on tan paper stock. Cinicolo thanks Houedard for referring Clive Adams, the art dealer, to him. Later in 1993,Clive Adams and Cinicolo 3 met with the Sackners and Adams sold them this archive of correspondence between Cinicolo 3 and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo informs Houedard about progress of the Newcastle catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo writes that he is sending a tape based on his "bocks 22." -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions receiving credo in om & gum cox by Houedard. Also, states that Typograms has been a success and he plans another book. -- Source of annotation: Marvin or Ruth Sackner.

Cinicola writes about expenses incurred in producing Newcastle catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo describes his progress in producing Houedard's Newcastle catalog. The letteris addressed to Houedard as "d sy." In this letter and in several others the y is dotted and refers to Houedard's explanation of the varient spellings of this name Silvester/ Sylvester with either a y or an i depending on the graphic design and typography of his piece. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo expresses disappointment with the V&A museum show of concrete poetry particularly with reference to the construction of the 3 dimensional pieces. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo writes that he is now working near his home in a design studio with a consortium of engineers and architects rather than in London. Includes a minimalist typed version of a house. At the bottom of the page Cinicolo types a greeting to Houedard for Easter. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo announces change of address and inquires whether Houedard received his isosceles triangle letter. -- Source of annotation: Marvin or Ruth Sackner.

This letter is typed on yellow blotting paper. Cinicolo mentions that he plans to publish his book, 'Typograms,' himself in an edition of 100 since there has been little outside interest in it. -- Source of annotation: Marvin or Ruth Sackner.

Donato describes the problems in producing Houedard's Newcastle catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions meeting Peter Mayer at Goldsmiths School of Art. -- Source of annotation: Marvin or Ruth Sackner.

This letter on black paper has been typed using a silver ribbon. Cinicolo mentions a meeting with Anthony Harwood that Houedard had arranged. -- Source of annotation: Marvin or Ruth Sackner.

The letter and envelope have the shape of an Isoceles triangle. Cinicolo thanks Houedard for his hospitality during his visit to Prinknash abbey. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo mentions difficulty in obtaining a grant to go to St Martins. -- Source of annotation: Marvin or Ruth Sackner.

The instructions on the letter are to read it when held up against the light. In this mode, some words have letters with a double typed appearance and internal blank space. -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words in this letter.Cinicolo writes of his speaking with Peter Schmidt and Hansjorg Mayer about his work. He also tells Houedard that "the numeral3attheendofmysurnameis becauseiamthethirdinaseriesofdonatos." -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words of this letter that deals with an inquiry about a silver ribbon for typing. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo aknowleges receipt of corrected proofs of Newcastle catalogue and mentions telephone coversations with John Cage and Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.