This is the print made from the exhibition poster; the Sackner Archive has copies No.2, 4, 5, 7, 8. -- Source of annotation: Marvin or Ruth Sackner.

Each contributor has an inked his/her fingerprint that follows the engraving. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. The book also reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

Videotape of film made in 1951. -- Source of annotation: Marvin or Ruth Sackner.

The drawings have been executed in Satie's typical style. The photographs, including three self-portraits, depict scenes of New York, Stonehedge and Paris. -- Source of annotation: Marvin or Ruth Sackner.

This print is based upon the Artist Book of the same title. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of this book which is accompanied by five drawings. Sixteen copies of the drawings were editioned, six to collaborators and nine for sale, e.g., one of the latter held by the Sackner Archive. The book was first published in 1987 without the drawings. The text of the book consists of Isou's reminiscences of the Lettrist movement and a listing of his own works. -- Source of annotation: Marvin or Ruth Sackner.

This a reprint of the book first published in 1968. -- Source of annotation: Marvin or Ruth Sackner.

Satie uses the following magic squares in this book, viz., SATOR, DATUR, OPALE, SATIE, and SIGNE. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut and in the last section, the pages are out of order. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut. This copy includes one drawing by Lemaitre and two drawings by Altmann in the beginning of the book that were added to the pages after its publication. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner. Edition has glassine protective cover.

Pages reproduce covers for periodicals designed by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of Lemaitre's novel with documentation as published in the periodical, Lettrisme n.s. No.25-26, 1971. These issues are also held by the Sackner Archive. There are several examples of Lemaitre's visual and poetic works as well as his followers reproduced in the book. -- Source of annotation: Marvin or Ruth Sackner.

This is an attack on the writers of the "new" novel by Isou. The watercolor was done by Lemaitre. The ordinary edition is Lettrisme No.17. -- Source of annotation: Marvin or Ruth Sackner.

The artist died in 2011 or 2012 but her obituary has not been posted on the iinternet. -- Source of annotation: Marvin or Ruth Sackner.

Francesco Conz contributes an afterward "Lettrisme: The Forgotten Avant Garde." Roland Sabatier wrote about Isou's novel "Initiation a la Haute Volupte" (Initiation inot High Sensual Pleasure) and also contributed an essay "Poetry and Music:From Lettrisme to Excordism through Aphonism and the Infinitesimal." The fabric prints of Isou published by Conz, that are reproduced in this book, are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.