Performance poetry
Found in 161 Collections and/or Records:
Ghosts Live in Closed Eyes , 2008
This work is also designated as Card 26 from "Stories from the Flats." Tom Kryss conributed the envelope and cover. -- Source of annotation: Marvin or Ruth Sackner.
Green Computer, 1988
Heebie-Jeebies, 1996
ICI RADIO VERONA, 2010
Il Sistema Mi Ha Messo in Croce, 1986
The prints, which are photographic reproductions, depict Cavellini being crucified. -- Source of annotation: Marvin or Ruth Sackner.
Il Teatro della Paroli , 1996
This exhibition was curated by Mirella Bendini who also provided an introductory essay that was translated into English. Giorgio Zanchetti contributed a critical text about Lora-Totino's work. Mondi di parola, a sculpture by lora-totino, is photographically reproduced in this book. It is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Improvisations, 2005
This is a tour de force of mainly language and performance poetry. Frazer utilizes the word, "glossolalia" in a number of the poems. This is defined as strings of meaningless syllables made up of sounds taken from those familiar to the speaker and put together more or less haphazardly .... Glossolalia is language-like because the speaker unconsciously wants it to be language-like. Yet in spite of superficial similarities, glossolalia fundamentally is not language. -- Source of annotation: Marvin or Ruth Sackner.
In Concert / Birdyak, 1993
John M. Bennett's Too Big Pants and Shorts , 2005
Kewyamxooka, Yamxapooka / Cobbing, Bob., 1989
Killing the Books: An Action 1971-2, 1972
The handwritten statement on cardboard collaged to the back of the frame reads, The books are killed - by shooting - by burning - by drowning - by cutting - by gluing - painting white, or red, or black, etc. -- Source of annotation: Marvin or Ruth Sackner.
La Solitude Sonore , 1971
La Solitude Sonore , 1971
Minor damage from paper clip imression at left upper edge along with a tear on left vertical edge. -- Source of annotation: Marvin or Ruth Sackner.
La Testa di Giano, 1981
Tape Cassette is a program broadcasted on Italian National Radio 1 on April 3, 1981. -- Source of annotation: Marvin or Ruth Sackner.
L'Art en Transit, no. 1: Depanne Machine recontre Joel Hubaut, 1988
This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.
L'Art en Transit, no. 3: Depanne Machine recontre ORLAN, Dans Tout les Salles et en Video Cassette, 1990
L'Art en Transit, no. 4: Depanne Machine recontre Gilardi, Inverosimile, 1993
The object in the box is a bunch of plastic grapes mounted on plastic grass. The cover print on the box depicts colored leaves. -- Source of annotation: Marvin or Ruth Sackner.
This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.
L'Art en Transit, no. 6: Depanne Machine recontre Depanne Machine, Boite Noir, 1996
This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.
last full word (210964), 1964
The full title is "last full word in small type on each of 1st 10 pp of webster.' -- Source of annotation: Marvin or Ruth Sackner.
Lay-Out: Can I Borrow Yr Living Room ; 3 Locales, 1982
This is the lay-out for a poster announcing a poetry reading that was curry's first. curry and essary's contributions to the poster were photocopied fragments and Dudley's an ink drawing. -- Source of annotation: Marvin or Ruth Sackner.