This performance manuscript apparently has never been published. -- Source of annotation: Marvin or Ruth Sackner.

Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.

Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.

This work is a modern enactment of the passage of the Sungod of night, or Osiris, through the first gate of the Neter-Khertet (divine underworld). The poem is accompanied by line drawings of New York scenes done by Kern. -- Source of annotation: Marvin or Ruth Sackner.

The box provides direction and props for a conceptual performance piece. -- Source of annotation: Marvin or Ruth Sackner.

Consists of Ay-O's typical Fluxus works, e.g., objects with different textures that invite the viewer to put a finger into. -- Source of annotation: Marvin or Ruth Sackner.

This photocollage was used for OU 23/24, 1965. -- Source of annotation: Marvin or Ruth Sackner.

This book deals mostly with documentation of De Barros' performances. -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "A Mail Installation." Also listed as Samsara Congeries Book 8. -- Source of annotation: Marvin or Ruth Sackner.

This book illustrates and describes the monochromatique color themed events organized and produced by Hubaut in various towns in France and Japan. Hubaut writes, "I have chosen to develop my current practice on colour from the three founding elements in modern art - the monochrome, the ready-made and the gesture. I construct my monchrome 'sites' from given or borrowed objects donated by a public often isolated from the art melieu. This is a tactic to reach a wider audience." Hubaut designates himself a "color guerilla." -- Source of annotation: Marvin or Ruth Sackner.

The text consists of Knowles' radio plays. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

The signed edition has a white cover. -- Source of annotation: Marvin or Ruth Sackner.

This work was featured in an exhibition curated by Fernando Aguiar, "Imaginaros Da Ruptura = Poeticas Visualis" held in Douro e Vale do Coa, Portugal. The surfaces of the prints in this book are on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.