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Performance poetry

 Subject
Subject Source: Sackner Database

Found in 105 Collections and/or Records:

Tarocco Meccanico, 1990

 Item
Identifier: CC-38492-40400
Scope and Contents

This book is also designated Supplement No.1 of the 4th series of Altri Termini. It is a score for a "sound novel" (rather than a sound poem) first performed in 1972. The drawing adjacent to Fontana's signature is an abstract depiction of musical notation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Temple , 2008

 Item — Box 328: [Barcode: 31858072490927]
Identifier: CC-49395-70440
Scope and Contents

This work is also designated as Card 22 from "Stories from the Flats." Tom Kryss contributed the envelope and cover designs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

TEXTS TO SPEAK W/ THE SHARKEY PEOTRY FILM SHOT ?140964, 1964

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-56607-58870
Scope and Contents

John Sharkey's poetry film event was held in Bristol, England. Houedard writes in his introductory statement, "these texts consist of words and silences--any 2 words phrases or silences are connected directly thru what the film is about -- so the words &c can be taken in ANY ORDER." Houedard also writes in the text "CONCRETE POEMS ARE THINGS / LOOK THRU CLEANFORMS TO POETMIND CONCRETE PEOMS...CONCRETE POEMS CAN BE TOYS OR INSTSRUMENTS...CONCRETE IS AFTERBEAT" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

The Elation Symphony, 1981

 Item — Box 316: [Barcode: 31858072490810]
Identifier: CC-24616-25069
Scope and Contents

Book was performed/made in a copy shop by Elizabeth Was and Heidi Sheppard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

The Four Suits, 1965

 Item
Identifier: CC-27300-27864
Scope and Contents

The title of this book as described by Dick Higgins refers to the four authors of this book who are each identified in the introductions pages to their section by a suite of playing cards, e.g., clubs, hearts, diamonds and spades. Thus, what they have in common is that 1) each is essentially not operating in a media for which they were trained, 2) each is really operating in a medium or mode of activity of their own devising, which 3) lies somewhere between the conventional concept of the seven arts. The name Ben Patterson is used in this citation rather than Benjamin Patterson since all other references in this database refer to Ben not Benjamin Patterson. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

The Maenads, 2011

 Item — Box 328: [Barcode: 31858072490927]
Identifier: CC-52791-73928
Scope and Contents Wikepedia: "In Greek mythology, maenads were the female followers of Dionysus (Bacchus in the Roman pantheon), the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Often the maenads were portrayed as inspired by him into a state of ecstatic frenzy, through a combination of dancing and drunken intoxication. In this state, they would lose all self-control, begin shouting excitedly, engage in uncontrolled sexual behavior, and ritualistically hunt down and tear to pieces animals "” and, in myth at least, sometimes men and children "” devouring the raw flesh. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped by a cluster of leaves; they would weave ivy-wreaths around their heads, and often handle or wear snakes." According to the Basinski's inscription on the verso of the drawing, "the Maenads had ladder like tattoes groves on their arms And I...
Dates: 2011

The Poetic In(ter)vention , 1987

 Item — Box 313: [Barcode: 31858072490794]
Identifier: CC-24498-24951
Scope and Contents

This book records Aguiar's philosophy about concrete and performance poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

The Printed Performance: Brian Lane Works 1966-99 , 2001

 Item
Identifier: CC-54359-643247
Scope and Contents Stored in box with Gallery Number Ten publications.Internet: Brian Lane's unique contribution to small-press publishing began in the mid 1960s at Gallery Number Ten in Blackheath, South East London. This was one of the first artists' spaces in Britain, and alongside its programme of exhibitions and events, there emerged a growing list of publications with poets and artists. In the late 1970s Lane issued many of his distilled performances in print and in the mid-1980s he worked extensively on the seminal exhibition The Artist Publisher and accompanying catalogue. Throughout all his work, there is the sense of a printed score to be performed, from the earlier days of experimental music through improvisations on small letterpress printing machines, to the use of photocopier and rubber stamp. This illustrated primer includes an extensive bibliography by John Janssen of all Brian Lane's published works, now held in the Tate Gallery Archive. -- Source of annotation: Marvin or Ruth...
Dates: 2001

Traces of Invisible Performance, 1982

 Item — Box 271: [Barcode: 31858073143376]
Identifier: CC-21715-22126
Scope and Contents

Material in box is from an audio-installation in the Musee D'Art Moderne, Paris, 1982. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Two Ensemble Works, 2005

 Item — Box 328: [Barcode: 31858072490927]
Identifier: CC-52349-73472
Scope and Contents

The poems in this work are entitled "Elephants Ensembled Poem" and "80th Birthday Event for Jackson Mac Low." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

[Untitled] , 1982

 Item — Box 313: [Barcode: 31858072490794]
Identifier: CC-24365-24817
Scope and Contents

The Grommett gallery was owned by Emily Harvey. Adorno was the wife of Billy Kluver. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Vaduz, 1998

 Item
Identifier: CC-31746-33258
Scope and Contents

This publication commemorates the first reading of Heidsieck's well known poem in the actual city of Vaduz. At the invitation of the Sackners, Heidsieck performed this work at the Bass Museum of Art in Miami Beach in 1987 and listed this performance in his public readings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Voice, 1994

 Item — Box Artist Boxed Materials/Oversized: Cobbing, Bob (1 of 3): [Barcode: 31858072491305]
Identifier: CC-20586-20984

Wan Do Tree & Other Poems, 1977

 Item — Box Artist Boxed Materials/Oversized: Cobbing, Bob (3 of 3): [Barcode: 31858072491347]
Identifier: CC-17748-18117

Water Yam 4th Edition, 1983

 Item — Box 289: [Barcode: 31858073143442]
Identifier: CC-22622-23051
Scope and Contents

Works are originally dated from 1961 to 1962. This copy includes a booket entitled 'NUT BONE' that is not present in the 5th edition that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983