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Performance poetry

 Subject
Subject Source: Sackner Database

Found in 161 Collections and/or Records:

Lecture/Performance

 Item — Box Artist Boxed Materials/Oversized: Co-Cu: [Barcode: 31858072491354]
Scope and Contents

Flyer promoting Jean-Paul Curtay's performance of Sound Body Poetry. Held in Venice, California. Admission was free.

Dates: -

[Letter to Clark (Coolidge?)], 1995

 Item — Box 317: [Barcode: 31858072490844]
Identifier: CC-32000-33529
Scope and Contents

Andrews related a performance that he gave in an art gallery that involved the playing of two 1 1/2 hour simultaneous tapes, various books and sequences on tables, couple dozen, separate, written pieces on wall and a 12' x 7' wall and adjacent 9' x 12' floor taken up by 150 poem cards. He also recommends Victor Ehlich's book "Russian Formalism" for reading as he believes it is relevant to Coolidge's work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

[Letter to Peter Finch], 1972

 Item — Box 312: [Barcode: 31858072490828]
Identifier: CC-26151-26614
Scope and Contents

This letter provides an explanation of Adler's "Scenario," a prose piece which is an allegorical interpretation of his poem, "Alphabet Music." The manuscript of "Scenario" was attached to the letter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Mixage C.K.K. Epidemia, 1983

 Item
Identifier: CC-29922-31311
Scope and Contents

The drawing was done on the facing pages of the Table of Contents. The book consists of critical analysis of Hubaut's work by Restany, Lebel and Frank, reproductions of polaroid photographs featuring Hubaut performing in his white jacket painted with distinguishing signs, and comments by Hubaut on these photographs. Forty-eight reproductions of colored polaroid photographs constitute a section of this book. All have the identical format and are printed on a black background. The photographs are centered, one to a page. The caption "hobby or not hobby -- mon dada comme un violin" is printed at the top of each page in white. The caption "epidemie completement d'ingres" is printed in white at the bottom of the page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Mixed Bag (January), 1987

 Item — Box 322: [Barcode: 31858072490885]
Identifier: CC-06154-6268
Scope and Contents

Contains Banana Rag No.19 & 20. Stored in Anna Banana Publications box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Mixed Media 1 (1967/68), 1968

 Item — Box 614: [Barcode: 31858072461001]
Identifier: CC-37643-39503
Scope and Contents

This announcement was addressed to Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Music, 1966

 Item
Identifier: CC-28035-29191
Scope and Contents

The leaflets have either one to three letters, o's, a colon, a period, or a slash. The reader is instructed to speak every 'o' & clap every period sign. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Notes For (from) Chamber Music / Cobbing, Bob., 1966

 Item — Box 393: [Barcode: 31858072461571]
Identifier: CC-17591-17958
Scope and Contents

This handwritten manuscript is subtitled "how it all began." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Opium Marble: The Alley, 1990

 Item — Box 619: [Barcode: 31858072461043]
Identifier: CC-59783-10002840
Scope and Contents

This performance manuscript apparently has never been published. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Performance/Installation, 1980

 Item — Box 329: [Barcode: 31858072490950]
Identifier: CC-21759-22170
Scope and Contents

Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Performance/Installation, 1980

 Item — Box Artist Boxed Materials/Oversized: Baroni, Vittore: [Barcode: 31858072491123]
Identifier: CC-21767-22178
Scope and Contents

Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Pharoah On The Ferry, 1981

 Item
Identifier: CC-37045-38885
Scope and Contents

This work is a modern enactment of the passage of the Sungod of night, or Osiris, through the first gate of the Neter-Khertet (divine underworld). The poem is accompanied by line drawings of New York scenes done by Kern. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981