The full title is "last full word in small type on each of 1st 10 pp of webster.' -- Source of annotation: Marvin or Ruth Sackner.

This is the lay-out for a poster announcing a poetry reading that was curry's first. curry and essary's contributions to the poster were photocopied fragments and Dudley's an ink drawing. -- Source of annotation: Marvin or Ruth Sackner.

Flyer promoting Jean-Paul Curtay's performance of Sound Body Poetry. Held in Venice, California. Admission was free.

Andrews related a performance that he gave in an art gallery that involved the playing of two 1 1/2 hour simultaneous tapes, various books and sequences on tables, couple dozen, separate, written pieces on wall and a 12' x 7' wall and adjacent 9' x 12' floor taken up by 150 poem cards. He also recommends Victor Ehlich's book "Russian Formalism" for reading as he believes it is relevant to Coolidge's work. -- Source of annotation: Marvin or Ruth Sackner.

This announcement was addressed to Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

This handwritten manuscript is subtitled "how it all began." -- Source of annotation: Marvin or Ruth Sackner.

This performance manuscript apparently has never been published. -- Source of annotation: Marvin or Ruth Sackner.

Rubberstamped "Art Abject - Tabu - Lieutenant Murnau." -- Source of annotation: Marvin or Ruth Sackner.

Consists of Ay-O's typical Fluxus works, e.g., objects with different textures that invite the viewer to put a finger into. -- Source of annotation: Marvin or Ruth Sackner.

This is a compendium of previously published conventional, sound and concrete poems as well as critical texts which appear to have been put together for a performance. -- Source of annotation: Marvin or Ruth Sackner.