A seach of Grice's publications on the WEB revealed that he has written non-fiction and fictional works (Penguin Press) mostly for young readers. However, no poetry books were listed. -- Source of annotation: Marvin or Ruth Sackner.

A search of Grice's publications on the WEB revealed that he has written non-fiction and fictional works (Penguin Press) mostly for young readers. However, no poetry books were listed. -- Source of annotation: Marvin or Ruth Sackner.

Each book consists of a one page drawing entitled "Stupidogramm" consisting of a grid of commas with an area enclosed by an ink line drawing. Not one of the 200 copies is alike. This publication is stored in the 'R' flat files drawer. Note that Roth uses the name Diter Rot for this issue. -- Source of annotation: Marvin or Ruth Sackner.

The author writes, "Israeli artist Jacob El-Hanani has created his own variation on calligram micrography in his Constructivist style, using minute cursive Hebrew script to form a textured carpet of writing. Although the result differs from the traditional micrograph and calligram, his perseverance proves El-Hanani to be a true descendant of the Medieval masorah scribe." The Sackner Archive holds a work like Arvin has described. -- Source of annotation: Marvin or Ruth Sackner.

The print consists of rubberstamped words of the title that depict a tree in cross-section. -- Source of annotation: Marvin or Ruth Sackner.

The cover and title page depict a poem shaped like bars in a prison cell with the repeated words LA NUIT and the words "du prisonnier" in the middle. The book includes a reproduction of a Valentiner Hugo black and white portrait of Guy Levis-Mano. The name "Jean Garamond" printed on the cover as responsible for the images is a non-de-plume for Guy Levis-Mano. This one of 40 copies of the book is printed on Holland paper. -- Source of annotation: Marvin or Ruth Sackner.

The book represents a man's body with a white, plastic spiral spine, a face and hair made of cut, smaller spiral spine material, a heart shaped heart printed with "je t'aime," and appropriately shaped booklets for the arms, abdomen, legs and penis. Crombie wrote the Sackners that these book objects were too difficult to transport and make so that none of the editions were completed as stated in the colophon. -- Source of annotation: Marvin or Ruth Sackner.

Albert Behar is the Sackners' grandson. This work is stored in the Albert Behar Archive box. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a reprinting of several previously published poems. -- Source of annotation: Marvin or Ruth Sackner.

This book provides s sampling of Cobbing's previously published poetry. -- Source of annotation: Marvin or Ruth Sackner.

The size of this edition is not known nor is it listed in Finlay's book Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the original typed manuscript for this poem. -- Source of annotation: Marvin or Ruth Sackner. Includes correspondence between Ward and John Furnival about Loakrime and poems sent to Ian Breakwell

One thousand copies were created for Plage magazine, Paris, France. Diotallevi writes that "this is a unique example with hand intervention." The piece is shaped like a heart. -- Source of annotation: Marvin or Ruth Sackner.

The letraset drawing reproduced on page 13 of this book is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

There is an explanation and translation of the concrete poems in English at the back of the book. -- Source of annotation: Marvin or Ruth Sackner.

The entire text of the Book of Exodus from the Old Testament is written in Hebrew creating a picture of the Red Sea parting and the Israelites passing through. -- Source of annotation: Marvin or Ruth Sackner.