Shaped poetry
Found in 125 Collections and/or Records:
falamaleikum: gedichte und bilder, 1983
Spohn contributed ten illustrations to the book. -- Source of annotation: Marvin or Ruth Sackner.
Fir-Tree Song, 1965
The poem is laid out in the shape of a fir tree. This copy is from the unsigned, unnumbered edition of 175; 75 copies were signed and numbered by Lucie-Smith. -- Source of annotation: Marvin or Ruth Sackner.
Fish, 2007
Five Experimental Poems, 1975
A seach of Grice's publications on the WEB revealed that he has written non-fiction and fictional works (Penguin Press) mostly for young readers. However, no poetry books were listed. -- Source of annotation: Marvin or Ruth Sackner.
Four Experimental Poems, 1975
A search of Grice's publications on the WEB revealed that he has written non-fiction and fictional works (Penguin Press) mostly for young readers. However, no poetry books were listed. -- Source of annotation: Marvin or Ruth Sackner.
Gorgona: Stupidogram, No. 9, 1966
Each book consists of a one page drawing entitled "Stupidogramm" consisting of a grid of commas with an area enclosed by an ink line drawing. Not one of the 200 copies is alike. This publication is stored in the 'R' flat files drawer. Note that Roth uses the name Diter Rot for this issue. -- Source of annotation: Marvin or Ruth Sackner.
Hebrew Micrography: One Thousand Years of Art in Script , 1981
The author writes, "Israeli artist Jacob El-Hanani has created his own variation on calligram micrography in his Constructivist style, using minute cursive Hebrew script to form a textured carpet of writing. Although the result differs from the traditional micrograph and calligram, his perseverance proves El-Hanani to be a true descendant of the Medieval masorah scribe." The Sackner Archive holds a work like Arvin has described. -- Source of annotation: Marvin or Ruth Sackner.
Henri et Jean, 1977
The large letters, H and J, stand for Henri and Jean as a celebration of their 25th wedding anniversary. -- Source of annotation: Marvin or Ruth Sackner.
[ich], 1968
Il Passo di Saturno, 2006
Iuvenilia Loeti: Raccolta di Poeti Latini Medievali, 1969
This is a survey of medieval, Latin shaped poetry with critical text. Several pages by Rabano Mauro (Hrabamus Maurus) are reproduced from a book that is also held by the Sackner Archive. The marginata was inserted by Dick Higgins, the previous owner of this book. -- Source of annotation: Marvin or Ruth Sackner.
J'Attends l'Homme!, 1969
The text of this print consists of several repetitions of the word, joie (joy) with a single word, jois, placed near the bottom. -- Source of annotation: Marvin or Ruth Sackner.
Jim Andrews, 2004
This poem depicts an abstract rectangular image. -- Source of annotation: Marvin or Ruth Sackner.
KOLAR ED 912 Posters (Situazione, No. 6): Le Poeme Visuel III 1963, 1968
La Colombe Poignardee, 1979
La Nuit du prisonnier, 1945
The cover and title page depict a poem shaped like bars in a prison cell with the repeated words LA NUIT and the words "du prisonnier" in the middle. The book includes a reproduction of a Valentiner Hugo black and white portrait of Guy Levis-Mano. The name "Jean Garamond" printed on the cover as responsible for the images is a non-de-plume for Guy Levis-Mano. This one of 40 copies of the book is printed on Holland paper. -- Source of annotation: Marvin or Ruth Sackner.
Lay-Out: Industrial Sabotage No.52, 1993
Le Colporteur d'Images: [Au Point Du Jour], 1997
ThIs drawing is included in a book that follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) though a poetic, typographic landscape in Paris. Berman is the graphic designer and illustrator of this humorous and sophisticated book. Quesemand is the author of the text. This drawing 's main image is a black building on the left in the night with the day on the right. One of the buildings is labeled "Cochin Hospital." Quesemand's poetry is printed on the extreme right. -- Source of annotation: Marvin or Ruth Sackner.
Le Petit Peignot: Dictionnaire de Mots-Images, 1996
Peignot provides examples of word-images along with comments in an alphabetic listing. He uses alterations of letter spacing and boldness of the Futura typeface, repetition of letters, anagraphic presentation, variations in the arrangement of letters, mirror imaging, and punctuation marks to enhance and visually define the meaning of words. The poems are related to those found in another book published by Peignot in the same year, Toutes les Pommes se Croquent. Both books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Letters from Kythera, Too , 1996
The poster printed on heavy glossy stock depicts an abstracted shape of a nude feminine torso with its surface covered by a grid of randomly selected typewritten letters. -- Source of annotation: Marvin or Ruth Sackner.
