Shaped poetry
Found in 778 Collections and/or Records:
Alles mit Bedacht: BarokesFurstenlob auf Herzog August (1579-1666) in Wort, Bild und Musik / Burger, Thomas, editor., 1979
Includes examples of German Baroque poetry. -- Source of annotation: Marvin or Ruth Sackner.
Alphabet Apocalypse / Sutherland, W. Mark., 1993
Alphabet Delight, 2007
This dinner set was produced with the help of George Mill. Each plate and the napkin contain a different design composed of letters from the Serbian alphabet. This is a first edition of a unique limited collection. -- Source of annotation: Marvin or Ruth Sackner.
Alphabet Man / Liszkiewicz, A.J. Patrick., 2010
Altar / Paz, Octavio; Elliot Weinberger, translator., 1986
Am den Ufern des Jordan / Daniel, Peter., 2000
The prints depict alphabetical patterns. -- Source of annotation: Marvin or Ruth Sackner.
Am Sims / Vallaster, Gunter., 2013
Ana Maria Rilke 19?? / Daniels, David., 2004
Anakatabase / Da Ros, Francois, editor., 1991
The text, which deals with a fictional tale on how man became a typographer, is translated into 20 languages. A French text in bold red type face is interleaved on all of the pages. The original print by Martine Rassineux consists of abstract and calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.
Angste / Hoesselbarth, Kai., 1991
This poem depicts the silhouette of a man's face and upper torso formed by the word "optimist" as a tautology. He is breaking out from the bars of a cell formed from a tautology of the words "stop, Angste (anxiety), Befurchtungen (worry), Bedenken (concern), Einwande (contradiction); Hemmungen (timidity), Vorbehalte (reservation), and Zweifel (doubt)." -- Source of annotation: Marvin or Ruth Sackner.
Angste / Hoesselbarth, Kai., 1991
This poem depicts the silhouette of a man's face and upper torso formed by the word "optimist" as a tautology. He is breaking out from the bars of a cell formed from a tautology of the words "stop, Angste (anxiety), Befurchtungen (worry), Bedenken (concern), Einwande (contradiction); Hemmungen (timidity), Vorbehalte (reservation), and Zweifel (doubt)." Hosselbarth or Hoesselbarth is now known as Kai Selbar. -- Source of annotation: Marvin or Ruth Sackner.
Ann Arbor Review. No.13 / Kostelanetz R., 1971
[Annori] / Gerz, Jochen., 1967
A lower case letter 'a' is filled with the horizontal rows of the word "annori" or fragments of "annori." -- Source of annotation: Marvin or Ruth Sackner.
Announcement (Anzeige) / Dencker, Klaus-Peter., 1970
This typed work was depicted in Riddell's 1975 book "Typewriter Art." -- Source of annotation: Marvin or Ruth Sackner.
Anonymous Us. No.19/June / Gorman L., 1995
Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.
Anonymous Us. No.20/Apr / Gorman L., 1996
Edited by LeRoy Gorman, this periodical contains poems by grade school students. The theme of this issue is Sherlock Holmes. -- Source of annotation: Marvin or Ruth Sackner.
Another Almanac of Words at Play / Espy, Willard R. ; Smith WJ ; Burroughs WS ; Dante ; Ginsberg A ; Fisher E ; Kostelanetz R ; Updike J ; Wincor R ; Smith Sv ; Harlam S ; Morgenstern C., 1980
The concrete poems that appeared in this anthology were composed by William Jay Smith, Richard Kostelanetz, Ed Fisher, Sam Harlan, Louis Phillips, and Richard Wincor. -- Source of annotation: Marvin or Ruth Sackner.
Another Almanac of Words at Play / Espy, Willard R. ; Smith WJ ; Burroughs WS ; Dante ; Ginsberg A ; Fisher E ; Kostelanetz R ; Updike J ; Wincor R ; Smith Sv ; Harlam S ; Morgenstern C., 1980
The concrete poems that appeared in this anthology were composed by William Jay Smith, Richard Kostelanetz, Ed Fisher, Sam Harlan, Louis Phillips, and Richard Wincor. -- Source of annotation: Marvin or Ruth Sackner.
Ant - hill, ant - words, ant - special workers / Steen, Vagn., 1965
This work was printed by Magnus Sandberg. It depicts a cluster of written words arranged in the shape of a hill. -- Source of annotation: Marvin or Ruth Sackner.
Apollinaire: A Variation / Finlay, Ian Hamilton; Hincks, Gary., 1997
This poem, based on "Il Pleut" by Apollinaire, has drawings of little leaves instead of the letters. This symbolizes the falling of leaves in the fall rather than rain as in the original poem. -- Source of annotation: Marvin or Ruth Sackner.