Visual poetry
Found in 865 Collections and/or Records:
Dashes Variation & Pentade, 1965
Notes handwritten in pen
David/Norman Press (Letter to Shit Magazine), 1986
Reviews international small press scene. -- Source of annotation: Marvin or Ruth Sackner.
dbqp: Visualizing Poetics, 2004
Huth describes his visit to the Sackner Archive on April 13th in the section titled "Home Sweet Museum." -- Source of annotation: Marvin or Ruth Sackner.
DE BERNADI Pagina 1980, 1980
De Mona/Doxo-Loghia, 1971
[Dear Marvin] / Bennett, John M.., 1983
Death News, 1989
dedo , 1992
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II Printers Sample, 1988
Print was reproduced from a unique collage commissioned by the Sackner Archive. Barron writes specific instructions to the printers on both margins of the proof. This is the second proof run by the printers. -- Source of annotation: Marvin or Ruth Sackner.
Delivre II Proof , 1988
Prints were reproduced from a unique collage held by the Sackner Archive. This proof, according to the artist, is the penultimate proof run "before the real thing." Includes specific instructions for changes to the printer. -- Source of annotation: Marvin or Ruth Sackner.
Demonstration, 1963
This complex collage, an illustration for Jules Verne's "Aound the World in Eighty Days," depicts a parade and a mob scene with American voting slogans and company names. The main image was cut from an engraving done around 1900. An exhibition catalogue of Kolar, Mesens, Schwitters & Hoffmeister at Grosvenor Gallery, st that Hoffmeister "...was the first artist to use typography as a total compositional medium regardless of the meaning of the actual words, concentrating on the purely visual image." Wescher (Collage 1968) wrote that he was the grand master of collage. This collage is depicted in Adolf Hoffmeister This collage is not depicted in the Adolf Hoffmeister book 1902-1973 edited by Karel Srp on page 283. -- Source of annotation: Marvin or Ruth Sackner.
Denklandschaften, 1993
Der Geklonte Sammler, 2002
Consists of portraits of 11 art and book arts collectors, including Marvin Sackner who is depicted as a flying airplane. The documentation sheet is attached inside the box top. -- Source of annotation: Marvin or Ruth Sackner.
Der Wochenhit, 1971
Dated 8-14 March 1971.
Desegni Del Quotidiano: Il Quotidiano Cancellato, 1983
Desire's Eris, 1983
Det Ar Bara En Kvar, 1965
Dialogues , 1991
Dictionnaire des Methodes, 1991
Consists of representative examples of the different types of Kolar's collages. Gilbert Lascault wrote a critical essay at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.
