Visual poetry
Found in 865 Collections and/or Records:
Fan, 1987
Femail Series (Stamps B&W 3/82), 1982
Names of preeminent women correspondence artists are cited. -- Source of annotation: Marvin or Ruth Sackner.
Femail Series (Stamps B&W 3/82), 1982
Names of preeminent women correspondence artists are cited. -- Source of annotation: Marvin or Ruth Sackner.
figura/partitura, 1983
This exhibition was curated by Giovanni Fontana. -- Source of annotation: Marvin or Ruth Sackner.
finally, 2011
Stored in Derek Beauleau box. -- Source of annotation: Marvin or Ruth Sackner.
First in Russia International Poetry Exhibition [Exhibit Catalog], 1990
Exhibition was curated by Serge Segay and Rea Nikonova. -- Source of annotation: Marvin or Ruth Sackner.
[Fish Stories], 1988
Five Envelopes Started l978 Completed l984 , 1984
Floating Heads; A Contemporary Visual Narrative, 1985
The book consists of reproductions of several poems, composed by repetitively rubberstamping words and images, reflecting hazards to the environment. Also, includes several poems on topics related to breathing, viz. the words "scream and gotta sing" appear on one page with an image of a mouth and a face opposite to another page with the words "acid rain and gotta dance" with an image of two dogs dancing as metaphors for our lack of concern with a clean environment. -- Source of annotation: Marvin or Ruth Sackner.
Fluorescente, 1980
For Pas-Seende Berndt Pettersons Collage Och Bokstavskonst, 2012
This book is a compendium of the outstanding artistic work of Berndt Petterson whose work should be better known to a world wide artistic audience. -- Source of annotation: Marvin or Ruth Sackner.
Formulazioni Non - A, 1972
The loose sheet that comprises the text reproduces the pages of the original titled book as approximately 5 cm x 4 cm images of the original book. -- Source of annotation: Marvin or Ruth Sackner.
Four Letter Poems, 1981
Four Parts Sand, 1972
The Sackner Artchive holds another copy without a dust jacket. This book is divided into four sections, each depicting representative work of a single poet. -- Source of annotation: Marvin or Ruth Sackner.
Four Parts Sand, 1972
This copy is missing the dust jacket -- Source of annotation: Marvin or Ruth Sackner.
Fragile, 1976
Chopin makes an analogy between the images of two space ships (Apollo and Soyuz) joining in space, as depicted on postage stamps, to homosexuality. -- Source of annotation: Marvin or Ruth Sackner.
Fragment, 2000
This drawing depicts two red coffee cups and a stylized black turban or helmut surrounded by text. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
Fragment, 2000
This drawing depicts a decorated jug in the center surrounded by text and partial renditions of the jug at the top and bottom. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
Fragment 10, 1993
This is a transitional work in the artist's "Doodle Series." The collaged elements consist of photocopied fragments of calligraphic text recycled from previous works. The work depicts large handwritten letters and numbers scattered among a few grotesque profiles. -- Source of annotation: Marvin or Ruth Sackner.
Fragment N4, 2000
This depicts a still life of jugs surrounded by words. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
