Visual poetry
Subject Source: Sackner Database
Found in 794 Collections and/or Records:
L'Escalade, 1973
The title in English means to scale over. The text consists of a repetition of the words, morte and death over a Manchester Guardian newspaper image of The Communist leader, Brezhnev whispering into the ear of President Nixon. -- Source of annotation: Marvin or Ruth Sackner.
Letter from Eve, 1995
The image in the center of this work depicts a collaged reproduction of a renaissance painting of Adam and Eve with their hands on an apple. This is surrounded by linear calligraphic markings formed with black thread embedded in the paper that covers the object. A larger calligraphic mark formed with thicker brown thread simulates a large letter beginning an illuminated manuscript. Calligraphic markings at the bottom of the Adam and Eve image act as a "caption" for the painting. -- Source of annotation: Marvin or Ruth Sackner.
Letter to Bill Wyatt, re: Wyatt's latest poems: [fuck a duck wyatt], 1966
[Letter to Karl] / And, Miekal., Unknown
And relays his recovery from tsetse syndrome, flu, and bone chip in his ankles to Karl. He also describes his surprise at Hoffberg's book exhibit and announces the release of Anti-Isolation.
Letter to Marvin Sackner, 1976
This is the first letter written to Marvin Sackner from Tom Phillips. Sackner was moved by Phillips' exhibition in the Basel Kunsthalle. The letter begins, "Thanks for your kind letter & your good wishes re - A Humument - it has been a long haul!" He goes on extending an invitation to visit him in London. -- Source of annotation: Marvin or Ruth Sackner.
Letters from Kythera, Too , 1996
The poster printed on heavy glossy stock depicts an abstracted shape of a nude feminine torso with its surface covered by a grid of randomly selected typewritten letters. -- Source of annotation: Marvin or Ruth Sackner.
Lettre de Rimbert No.4, 1987
Lilliput, No. 8: Scritture, 1971
This series was edited by Luciano Caruso. This booklet includes the poetic works of Caruso as well as Villa, Diacono and Martini. Stored with Luciano Caruso material. -- Source of annotation: Marvin or Ruth Sackner.
L'Immagine di un Segno, 1986
Castellano aka LUCA. -- Source of annotation: Marvin or Ruth Sackner.
Little Snail, 2003
The paper tape contains the poem "little snail / inch by inch / climb Mount Fuji!" this object was a holiday gift to the Sackners -- Source of annotation: Marvin or Ruth Sackner.
Livre Impubliable: Concerto, 1975
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Livre Impubliable: Premiers Approches De La Ville, 1975
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Livre Impubliable: Premiers Approches De La Ville, 1975
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Livre n 1, 1985
The blocks can be viewed as a whole in the plexiglas case or removed and arranged by the viewer. -- Source of annotation: Marvin or Ruth Sackner.
[L'oeuf en Question] / Corfou, Michel., 1992
An egg-shaped ship, the name Christophe Colomb, and the notation "la P. la N. et la Santa M." commemorate 1492 and 1992. -- Source of annotation: Marvin or Ruth Sackner.
Lon Chaney Tribute Series - B&W 2 1982, 1982
Lon Chaney Tribute Series - B&W 2 1982, 1982
Lone Ranger, 1984
This print depicts five eye masks with different configured eye openings and captions. It was exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Luce Irigary: L'Aime A Toi, 1993
This poster is an announcement for a book. -- Source of annotation: Marvin or Ruth Sackner.
[Lungs], 1965
This surrealistic work by Hoffmeister achieves its visual impact by inversion of an anatomic section of the lungs and the connection of the trachea to two industrial tool objects (for making weapons?) to form the letter 'Y." It is balanced on either side by an inverted, anatomic image of the larynx and the profile of a soldier wearing a protective eye mask as well as a mouth mask connected with tubing to an ill defined cannister, presumably as protection against poisonous gas. The poem might be interpreted as Why ('Y') do we have to wars that kill with poisonous gas? -- Source of annotation: Marvin or Ruth Sackner.
