The paper in this book was presented at the first International Symposium on Letterism. Mentions that James Joyce was Isou's earliest inspiration. This book is stored in a Lemaitre box. -- Source of annotation: Marvin or Ruth Sackner.

Publication includes reproductions of A. Dupont's "Nathalie et Justine" and "L'Art en Ciel," and I. Isou and A. Dupont's "Concerto pour Oeil et Oreille" which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This copy is from the deluxe edition of five copies. The tirage of the ordinary edition without the drawing is not provided. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Issue No.3 of a series entitled "Le Monde des grands musee." Isou discusses Lettrisme in the final 19 pages of this book that includes 54 b&w photographs of Lettrist works of art. Page 94 depicts Lemaitre's Sculpture inimaginable" (1964), a multiple redone in 1986 in 50 copies a work which is held by the Sackner Archive. The Sackner Archive also holds the ordinary editon of this book (1973). -- Source of annotation: Marvin or Ruth Sackner.

This book compiles a series of interviews of Isou by Devaux that took place between November 1991 and January 1992. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. It is printed on paper alpha mousse des papeteries Navarre and does not include the photographic portrait of Isou as does the trade edition. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. -- Source of annotation: Marvin or Ruth Sackner.

In Lemaitre's essay, he mentions that that only 200 bound copies of Les Journaux Des Dieux were delivered for distribution because there were insufficent funds to pay him - "which of course makes the saved volumes extremely valuable." The books as well as prints and printed plates depicted in this exhibition consisted of 'Les Journal des Dieux' [The God's Diaries], 'Initiation a la haute volupte' [Initiation to High Voluptuousness], and 'Jonas.' -- Source of annotation: Marvin or Ruth Sackner.

The second section of this work, "Traite de Mathematiques" depicts black and white reproductions of 11 of Isou's Lettriste paintings whose content is primarily calligraphic markings and hieroglyphics. -- Source of annotation: Marvin or Ruth Sackner.

This book has a very dense text about Isou's philosophy without illustrations. -- Source of annotation: Marvin or Ruth Sackner.

Isidore Isou contributes an essay written in 1968 which includes an "Introduction au Lettrisme," "La Photographie Ciselante," "La Photographie Lettriste et Hypergraphique," "La Photographie Supertemporelle," and "L'Avenir de la Photographie." The photographs mainly depict images captured by the camera from life or collage and subsequently treated with paint, ink, and/or scratched additions to the negative or the photograph itself. This copy is one of 20 reserved for the contributors which in this was Maurice Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

Each contributor has an inked his/her fingerprint that follows the engraving. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. The book also reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of this book which is accompanied by five drawings. Sixteen copies of the drawings were editioned, six to collaborators and nine for sale, e.g., one of the latter held by the Sackner Archive. The book was first published in 1987 without the drawings. The text of the book consists of Isou's reminiscences of the Lettrist movement and a listing of his own works. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut and in the last section, the pages are out of order. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner.