Concrete poetry
Subject Source: Sackner Database
Found in 1039 Collections and/or Records:
Changing Forms in Visual Poetry - The Influence of Tools and Machines 2nd Edition / Cobbing, Bob ; Furnival J ; Mayer P ; Nichol bp ; Edmonds T ; Pike J ; Houedard DS ; Fencott PC., 1997
Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text as Figure exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.
Changing Forms in Visual Poetry - The Influence of Tools and Machines / Cobbing, Bob ; Furnival J ; Mayer P ; Nichol bp ; Edmonds T ; Pike J ; Houedard DS., 31 December 1988
Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text als Figur exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.
charles eve, 1965
The names charles (verey?) and eve are presented in various permutations. -- Source of annotation: Marvin or Ruth Sackner.
Christmas Greetings & Best Wishes / Cobbing, Bob; Cobbing, Jennifer., 1970
Image was taken from Kris Kringles...; the original is held by the Sackner Archive. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.
Christmas [Greetings] / Cobbing, Bob., 1968
Christmas Greetings / Cobbing, Bob; Pike, Jennifer., 1970
The author is also known as Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
Chrom-Neon-Text, 1971
This print depicts a photograph of a colored neon sculpture that Kriwet made for the cafeteria of the university. -- Source of annotation: Marvin or Ruth Sackner.
Cidade , 1982
The poem is printed as a single line in lower case black type across the center of the brown heavy paper. At its right border, the words, city, and cite are printed vertically at the point that the poem ends with the word, cidade. -- Source of annotation: Marvin or Ruth Sackner.
Cities Kill, 2000
Code Poems, 1982
These poems are based upon naval light and flag signaling using the "International Code of Signals (British 1899) ." -- Source of annotation: Marvin or Ruth Sackner.
Cold Mountain, 1992
This work was first published by Ganglia Press in mimeographed form as the Singing Hands Series No.3 in 1966 (held by Sackner Archive). It then was published as a component of bp Nichol's bookwork, "bp" by Coach House press in 1967; this work is also held separately by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Cold Mountain, 1967
This work was first published by Ganglia Press in mimeographed form as the Singing Hands Series No.3 in 1966 (held by Sackner Archive). The present work was published as a component of bp Nichol's bookwork, "bp" by Coach House press in 1967. Nichol provided instructions on the back cover for burning this booklet. Another copy was published by fingerprinting inkoperated in 1992 (also held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.
Collaboration Textual Points [scanned], 1991
Scans of two pages from the artist book of the same title.
Collected Poems Volume Five: Girlie Poems / Cobbing, Bob ; Griffiths B., 1982
Girlie poems are works or poems dedicated to 'girls' whose names, at the very least, have fascinated Cobbing. The poems are constructed as permutations, palindromes, and visual scores by overprinting. As noted by Griffiths, the simpler the score, the greater the performance potential because it allows Cobbing wider improvisation. The book reprints a large number of these poems. One copy of this book has an orange color and another a blue color. -- Source of annotation: Marvin or Ruth Sackner.
Collected Poems Volume Three: A Peal In Air 1968-1970 / Cobbing, Bob ; Truhlar R., 1978
Richard Truhlar writes "Cobbing uses the writer's tools (typewriter, various duplicating machines, ink, etc.) to explore the word and/or letter as hieroglyph, as phonetic symbol, and as concrete graphic interaction of language image with eye and body rhythms." This volume mainly depicts typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.
coloured noise, 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Com. Mix. [pamphlet], 1972
Commercials, 1990
Daniel f. Bradley composed the six illustrations of letter pictures in this book using letraset. -- Source of annotation: Marvin or Ruth Sackner.
