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Correspondence art

 Subject

Subject Source: Sackner Database

Found in 170 Collections and/or Records:

7 Works by Luther Blissett for the Sackner Archive + 1 Magazine, 1996

 Item — Folder 15: [Barcode: 31858072459740]
Identifier: CC-28664-29964
Scope and Contents

Luther Blissett is the alter-ego of Baroni and the magazine deals with his imagined adventures. The pamphlet periodical incorporated into one of the collages is Arte Postale! No.75; the title of this issue is Luther Blissett. One of the collages in this series is used as the cover image for the issue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

[A] , 1997

 Item — Box 320: [Barcode: 31858072490851]
Identifier: CC-60281-10003281
Scope and Contents

This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

A Lost World, 2010

 Item — Box 337: [Barcode: 31858072491198]
Identifier: CC-51990-73092
Scope and Contents

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. Although the pages are photocopied, the composition was made with a combination of ink jet printing and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

A Mad Diarist , 1984

 Item — Box 318: [Barcode: 31858072490778]
Identifier: CC-25073-25526
Scope and Contents

This work was submitted to a mail art show,"Homage To A Mad Diarist," curated by John Pyros. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

A Rough Draft re: coLABORation, 1989

 Item — Box 608: [Barcode: 31858073143558]
Identifier: CC-16186-16529
Scope and Contents

Deals with the "mechanics" and results of collaboration between poets and writers through essays contributed by the participants. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

All My Rubberstamps (in no particular order), 2010

 Item — Box 287: [Barcode: 31858072460680]
Identifier: CC-52368-73491
Scope and Contents

This edition was designed and produced by Picasso Gaglione. The rubberstamp image included all of Baroni's rubberstamps on one page. The book depicts reproductions of multiple rubberstampings to the pages. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

[alphabetical picture], 1997

 Item — Box 320: [Barcode: 31858072490851]
Identifier: CC-60278-10003278
Scope and Contents

This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Angela and Peter on World Tour, no. 3 : South America / , 1991

 Item — Box 672: [Barcode: 31858072465077]
Identifier: CC-33669-35329
Scope and Contents

The Kustermanns are also known as Netmail. The theme of this book is documentation of their trip to South America. The collaged elements consist of photocopied colored stamps, printed postage stamps, currency, and stickers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Another Roger Miller Song You'll Soon Forget, 1984

 Item — Folder 10: [Barcode: 31858069877912]
Identifier: CC-25377-25834
Scope and Contents

Work was submitted for the "Homage to the Mad Diarist" exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

architectural tratment, 1990

 Item — Box 337: [Barcode: 31858072491198]
Identifier: CC-60304-10003304
Scope and Contents

This work was included in pete spence's archive. This poem deals with the political situation in Russia. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Art as Life Life as Art, 2005

 Item
Identifier: CC-44885-47057
Scope and Contents This book was edited by Marcella and Nicoletta Danon in homage to their late mother and grandmother, Betty Danon. In the introduction by Marcella Danon, mention is made that Betty Danon's work is held in the Sackner Archive. Conceptual artist and visual poet. Danon was born in Istanbul and lived in Milan, Italy, since 1956. She worked with Sound and Sign, starting from Jungian symbology, reducing circle and square in their primal elements - dot and line - that she will develop in her future works: abstract musical scores and interventions on Sound and Sign. She participated, in Italy and abroad, in many personal and collective exhibitions and twice in Special Exhibitions within the Venice Biennial, in 1978 and in 1980. Her work is well documented in many contemporary art magazines and international art archives. She voluntarily left, in the 1980's, the conventional art circuits in order to share her work with artists from all over the world trough Mail Art, and in order to spread...
Dates: 2005