The essay written by Stephen Bann on the back inside folder explains the metaphor of grouping designs of hulls of sailing ships like sea shells in a display case. Proctor is a ship designer and Costley the artist who made this print. -- Source of annotation: Marvin or Ruth Sackner.

The photographs of the sculpture in Finlay's garden were made by Dave Patterson. Two brief introductory essays by Bernard Lassus and Stephen Bann are included in the first four pages. The remainder of this book consists of photographs. -- Source of annotation: Marvin or Ruth Sackner.

This book summarizes the theories about who was Shakespeare. -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

All the cards depicted in this book are held by the Sackner Archive. Futher, about five times more cards by Finlay are held by the Sacknsr Archive. -- Source of annotation: Marvin or Ruth Sackner.

Additional writers: Franco Cavallo, Pietro P. Daniele, Ciro Vitiello

The Sackner Archive holds "Exploding Galaxy," "Lotterie Romane," "E835," and "Geschutztes Messer," works that are depicted in photographic reproductions in this catalogue. There is also a listing and description of the objects made by Schauffelen 1966-1976. In this deluxe copy, there is a printed folded collage held in place by slits of the papercard sheet that is inserted into the inside front cover. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds "Exploding Galaxy," "Lotterie Romane," "E835," and "Geschutztes Messer," works that are depicted in photographic reproductions in this catalogue. There is also a listing and description of the objects made by Schauffelen 1966-1976. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the book which was first published in 1965; it is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of may notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of the book first published in 1923. Luciano Caruso provides a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

This book documents performances and exhibitions of Station Mir. This was was a multimedia research and creative laboratory, created by David Dronet and Stephano Zanini in 1994, which enabled artists and technicians to develop personal research projects. Joel Hubaut added drawings to this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this work is "Where id Eldridge Cleaver?" -- Source of annotation: Marvin or Ruth Sackner.

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.