Documentation
Found in 374 Collections and/or Records:
Last Trax , 1988
Le Intenzioni, I Mezzi, Le Opere, Le Letture, 1974
Le Lapin Vivant; Carotte and Roll, 1991
This box and its contents represent documentation for an installation in galerie AB, Paris, January 1992. -- Source of annotation: Marvin or Ruth Sackner.
le nouveau est arrive! , 2008
This is a poster advertising the arrival of Nouveau Beaujolais wine. It was posted in cafes and restaurants in Paris. Rachid Koraichi asked for the poster on the wall for the Sackners during their lunch together with Albert Behar. -- Source of annotation: Marvin or Ruth Sackner.
Les Apports D L'Hyper-Creatisme Ou de L'Hyper-Novatisme (Le Lettrisme), le Plus Important Mouvement Culturel de Tous Les Temps, Dans Les Domaines de la Connaissance et la Vie (1970-1986) / suivis de Oeuvres du Meme Auteur (1946-1987), 1989
This is the second edition of this book which is accompanied by five drawings. Sixteen copies of the drawings were editioned, six to collaborators and nine for sale, e.g., one of the latter held by the Sackner Archive. The book was first published in 1987 without the drawings. The text of the book consists of Isou's reminiscences of the Lettrist movement and a listing of his own works. -- Source of annotation: Marvin or Ruth Sackner.
Les Apports D L'Hyper-Creatisme Ou de L'Hyper-Novatisme (Le Lettrisme), le Plus Important Mouvement Culturel de Tous Les Temps, Dans Les Domaines de la Connaissance et la Vie (1970-1986) / suivis de Oeuvres du Meme Auteur (1946-1987), 1987
Les Couvertures de la Lettre, 1993
Pages reproduce covers for periodicals designed by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.
Les livres et las publications: catalogue raisonne, 2005
This book lists and depicts among other works all covers of issues of the eschenau summer press through 2005. -- Source of annotation: Marvin or Ruth Sackner.
Les Portes Ouvertes Ouvertement, 2001
This book deals with Chopin's diary notes on the making of his sound poems. He mentions meeting the Sackners on his visit to Miami Beach in 1984. -- Source of annotation: Marvin or Ruth Sackner.
Lessness, 2002
This book is designed, hand set and hand printed by John Crombie. The text by Beckett was first printed in 1970. This edition was printed on Kickshaw's Golding Press in a cloverleaf presentation. Stored with Crombie publications. -- Source of annotation: Marvin or Ruth Sackner.
Let Let: Im Flug der Jahre, 1994
This book consists of a diary dealing with poetic and political events taking place in Czechoslovakia during the Cold War beginning in 1952 and ending in 1968. It records the author's observations as well as letters and quotes from newspapers and periodicals. -- Source of annotation: Marvin or Ruth Sackner.
Let The Mice In, 1973
This book was edited by Jan Herman. Gysin documents the making of cut-ups and his "Dream Machine" in this book. Also, this book includes three labels from the exhibition "Beyond Geometry." -- Source of annotation: Marvin or Ruth Sackner.
Letrizem, 2000
Francesco Conz contributes an afterward "Lettrisme: The Forgotten Avant Garde." Roland Sabatier wrote about Isou's novel "Initiation a la Haute Volupte" (Initiation inot High Sensual Pleasure) and also contributed an essay "Poetry and Music:From Lettrisme to Excordism through Aphonism and the Infinitesimal." The fabric prints of Isou published by Conz, that are reproduced in this book, are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Letter exchange with Bill Wyatt, re: eating meat: [jesus & buddha sed something...], 1966
Wyatt wrote the Haiku regarding eating animal meat anf levy responded as follows. "It isn't what goes in yr mouth thats imortant, it is what comes out of yr mouth." -- Source of annotation: Marvin or Ruth Sackner.
Letter exchange with Jacob Leed, re: Leed's poems: [i feel somewhat swift & merciless...], 1965
Leed writes that he is sending poems to levy from those he sent for an issue of Wormwood. levy writes that he is returning most of them and keeping a few for an anthology that he wants to edit rather than seeing them publishing them in Wormwood. He also mentions starting 7 Flowers Press and the Ohio City Series. -- Source of annotation: Marvin or Ruth Sackner.
Letter exchange with Jacob Leed, re: poem request: [you will have to order them thru Jim...], 1966
Leed requests copies of his book, Poems, but levy replies that he must order them from Jim Lowell. levy also mentions that he is going to New York for a poetry reading. -- Source of annotation: Marvin or Ruth Sackner.
Letter exchange with Will Inman, re: kauri: [would like to send you this poem...], 1966
levy describes a poet friend (RD) who is the only white man living and trying to make a difference in a black Cleveland neighborhood. He also doesn't want Inman to list his address in kauri (Inman's magazine) because he wants to be left alone to work. Inman writes back that he respects RD's intentions but rejects the poem because of its quality. -- Source of annotation: Marvin or Ruth Sackner.
Letter exchange with Will Inman, re: self-loathing and drugs: [of course im egocentric...], 1967
This letter is about levy's self-pitying, depressive state of mind regarding the events surrounding him such as the Vietnam war and the assult on drugs. levy also castigates Inman for his anti-drug stand. According to the envelope, this letter was mailed March 8, 1967. -- Source of annotation: Marvin or Ruth Sackner.
[Letter for submissions to A, second issue], 1973
This letter requests submissions for the second issue (AB) of A magazine. -- Source of annotation: Marvin or Ruth Sackner.
Letter from Jacob Leed, re: publishing: [As for biographical stuff...], 1966
Leed discusses his ideas for issues of The Polluted Lake Series. Stored in d.a. levy binder. -- Source of annotation: Marvin or Ruth Sackner.
