In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

The signed edition has a white cover. -- Source of annotation: Marvin or Ruth Sackner.

This work was featured in an exhibition curated by Fernando Aguiar, "Imaginaros Da Ruptura = Poeticas Visualis" held in Douro e Vale do Coa, Portugal. The surfaces of the prints in this book are on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.

This a cut-up from the text of Chris Cheeks presntation at the third sub-voicive colloquium. -- Source of annotation: Marvin or Ruth Sackner.

This work is a working copy for a performance which utilizes previous published poems by Cobbing with added sound poems. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Supplement No.1 of the 4th series of Altri Termini. It is a score for a "sound novel" (rather than a sound poem) first performed in 1972. The drawing adjacent to Fontana's signature is an abstract depiction of musical notation. -- Source of annotation: Marvin or Ruth Sackner.

Poem incorporates words having the stem, "fun" and synonyms or descriptions of "fun." -- Source of annotation: Marvin or Ruth Sackner.

Poem incorporates words having the stem, "fun" and synonyms or descriptions of "fun. -- Source of annotation: Marvin or Ruth Sackner.

This work is also designated as Card 22 from "Stories from the Flats." Tom Kryss contributed the envelope and cover designs. -- Source of annotation: Marvin or Ruth Sackner.

John Sharkey's poetry film event was held in Bristol, England. Houedard writes in his introductory statement, "these texts consist of words and silences--any 2 words phrases or silences are connected directly thru what the film is about -- so the words &c can be taken in ANY ORDER." Houedard also writes in the text "CONCRETE POEMS ARE THINGS / LOOK THRU CLEANFORMS TO POETMIND CONCRETE PEOMS...CONCRETE POEMS CAN BE TOYS OR INSTSRUMENTS...CONCRETE IS AFTERBEAT" -- Source of annotation: Marvin or Ruth Sackner.

The title of this book as described by Dick Higgins refers to the four authors of this book who are each identified in the introductions pages to their section by a suite of playing cards, e.g., clubs, hearts, diamonds and spades. Thus, what they have in common is that 1) each is essentially not operating in a media for which they were trained, 2) each is really operating in a medium or mode of activity of their own devising, which 3) lies somewhere between the conventional concept of the seven arts. The name Ben Patterson is used in this citation rather than Benjamin Patterson since all other references in this database refer to Ben not Benjamin Patterson. -- Source of annotation: Marvin or Ruth Sackner.

Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.

This is an original mock-up photograph. -- Source of annotation: Marvin or Ruth Sackner.

Designated Poets 2. The cover was designed by Jeff Nuttall. These are Cobbing's first published poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated Poets 2. This copy was probably used by Cobbing for a performance/reading as it contains additional printed and handwritten poems pasted onto the pages as well as handwritten notes. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.