An illustrated record of the two sisters' summer together in Europe in 1951 prepared originally as a thank-you present for their parents. -- Source of annotation: Marvin or Ruth Sackner.

This sculpture is depicted on page 9 of exhibition catalogue, "Sculptures," Galerie Antoine Candau, 1987. -- Source of annotation: Marvin or Ruth Sackner.

Bovine atlas (first cervical vertebra), Indian ink

The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of twelve small pieces of treated paper with a single handwritten neologistic word, e.g., apteryx, argosome, etc. on the recto and numbers on the verso. The papers are held in a papercard case. -- Source of annotation: Marvin or Ruth Sackner.

The word "philosphy" is presented as a reversal poem so that it reads the same when the print is turned upside down. Dom Sylvester Houedard, the British poet, also created poem reversals which could be read in a similar manner but the reversal created a new word(s). In Langdon's print, one aphorism reads "Philosophy may require looking at ideas from both sides." -- Source of annotation: Marvin or Ruth Sackner.

This work by Winfred Gaul (1928-2003) has been reproduced in Tecken page 125 and in Bonjour, Monsieur Kolar page 25. -- Source of annotation: Marvin or Ruth Sackner.

Caruso created a CD with handwritten text, white paint, collaged paper additions and torn paper for this unique poem object. -- Source of annotation: Marvin or Ruth Sackner.

The porcelain cup is inscribed "Poetry First" on one side and Petr Sevcik on the other side. The shipping box is collaged in part with poems taken from newspapers by Chistian Morgenstern and Ernst Jandl. -- Source of annotation: Marvin or Ruth Sackner.

This is a design for Poetry Newsletter in New York. -- Source of annotation: Marvin or Ruth Sackner.

Bennett gave this drawing to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

In this poem, Furnival plays with permutations of bear, the personal pronouns, ours & nous (we in English from the French), and son using his distinctive calligraphic printed letterform style. This print is depicted in Furnival's "Lost For Words" (2011) page 56. -- Source of annotation: Marvin or Ruth Sackner.

Consists of the port letters and numbers of Scottish fishing vessels fired in green on a white background. -- Source of annotation: Marvin or Ruth Sackner.