Reprinting of favorite poems. -- Source of annotation: Marvin or Ruth Sackner.

Reproductions of examples of concrete poetry; one copy printed on white and the other on yellow stock. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy was the proprietor of Renegade Press. The title poem was set in the style of e.e. cummings. The poems entitled "Sound Poems" are actually tongue-twisters. This was Heckman's only book. -- Source of annotation: Marvin or Ruth Sackner.

The print of this original is reproduced in Ilse and Pierre Garnier's folder, "Prototypes: Textes Pour Un Architecture" (1965) that is also held by the Sackner Archive. It is also reproduced in GArnier's book "Oevres poetiques ! 1950-1968 page 219. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Damaso Ogaz (1924-1990). -- Source of annotation: Marvin or Ruth Sackner.

This book designed by Harley Parker is a contemporaneous parody of Wyndham Lewis' Vorticist magazine Blast. -- Source of annotation: Marvin or Ruth Sackner.

This is a parody of Wyndham Lewis' magazine "Blast," with its contents dealing with communication and the Information Age. -- Source of annotation: Marvin or Ruth Sackner.

Designated Broadsheet No.1. -- Source of annotation: Marvin or Ruth Sackner.

The poems are based on lists of names in the Aramaic writings of the Jews of Elephantine, Egypt. There is also an essay about the Elephantine Jews, an island in the Nile river at Egypt's southern border who lived in that place in the fifth century B.C. -- Source of annotation: Marvin or Ruth Sackner.