Cameron writes that this is "a page in typescript & dsh's hand offering 'a guide for a 24 12 8 6 point circle' to be made on a lettera 22 typewriter with single line adjustment" -- Source of annotation: Marvin or Ruth Sackner.

This is an announcement for a billboard project and is part of "Root Words," an intensive investigation of th Hebrew and Arabic languages in collaboration with the Islamic calligrapher, Mohamed Zakaria. The Sackner Archive is listed as holding the works of Avadenka. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides a description of the MMM publications along with other publications of the press. -- Source of annotation: Marvin or Ruth Sackner.

The folded loose sheet is a reproduction of a poem that Lora-Totino wrote in 1980. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of an interview that appeared in Angel Exhaust No.4. -- Source of annotation: Marvin or Ruth Sackner.

Consists of an introduction into the history of concrete Poetry. -- Source of annotation: Marvin or Ruth Sackner.

In the letter to billl wyatt on the cover, levy muses about a third part of the poem (only two parts were published) in which he plans "i think will be a defense of the county sherriffs (sic) office - they were pretty good to me considering all the lip i gave them - was on radio & T.V." -- Source of annotation: Marvin or Ruth Sackner.

This is a heavily annotated copy of this symposium by SJ Schmidt (?). -- Source of annotation: Marvin or Ruth Sackner.

Cobbing writes that the twelve poems in this series "have a unity on the edge of poetry and graphic art; further, typewriter camera letraset drawn letter and duplicator techniques combine to say kwatz!" (a Chinese-Zen meaningless word). -- Source of annotation: Marvin or Ruth Sackner.

The poem object consist of two silkscreened prints depicting experimental music scores wrapped several times around a stiff printed card. The folders insert within a bent open plexiglas frame; the abstract plaster sculpture is sited on the forward bend of the plexiglas frame. The plastic circular poem object with white painted handwriting is mounted on an opened folder on the back of the book object. The sound poem was recorded on the tape casette by Serge Pey. -- Source of annotation: Marvin or Ruth Sackner.

The background for the collage is a photocopied newspaper article that describes Baroni's mail art activities. -- Source of annotation: Marvin or Ruth Sackner.

This box and its contents represent documentation for an installation in galerie AB, Paris, January 1992. -- Source of annotation: Marvin or Ruth Sackner.

Wyatt wrote the Haiku regarding eating animal meat anf levy responded as follows. "It isn't what goes in yr mouth thats imortant, it is what comes out of yr mouth." -- Source of annotation: Marvin or Ruth Sackner.

Leed writes that he is sending poems to levy from those he sent for an issue of Wormwood. levy writes that he is returning most of them and keeping a few for an anthology that he wants to edit rather than seeing them publishing them in Wormwood. He also mentions starting 7 Flowers Press and the Ohio City Series. -- Source of annotation: Marvin or Ruth Sackner.

Leed requests copies of his book, Poems, but levy replies that he must order them from Jim Lowell. levy also mentions that he is going to New York for a poetry reading. -- Source of annotation: Marvin or Ruth Sackner.

levy describes a poet friend (RD) who is the only white man living and trying to make a difference in a black Cleveland neighborhood. He also doesn't want Inman to list his address in kauri (Inman's magazine) because he wants to be left alone to work. Inman writes back that he respects RD's intentions but rejects the poem because of its quality. -- Source of annotation: Marvin or Ruth Sackner.